剧情简介
这系列共三部,网络资料比较少。前两部偏重女同情节,后一部集大成,个人特别喜欢CLUB里一对男女跳舞时情景,歌曲也不错。本次放出的为从翻版DVD中提取的中字版本,观看无障碍,画质一般。
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两架钢琴
弗朗索瓦·西维尔,娜迪亚·特列什科维奇,夏洛特·兰普林,伊波利特·吉拉尔多,阿尔芭·贝露琪,Anne Kessler,杰里米·勒温,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅兰妮·古思,帕斯夸莱·当卡,Michaël Maïno,Rafaël Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段经历后回到法国,钢琴家马蒂亚斯·福格勒将再次与他的导师埃伦取得联系,为一场音乐会做准备。在一座公园里,他将邂逅一个与自己长得一模一样的孩子,而这个孩子会把他引向克洛丁——一位他曾在某个时代深爱过的女人。
逃离地下天堂
麦克尔·约克,理查德·乔丹,珍妮·艾加特,罗斯科·李·布朗尼,费拉·福赛特,小迈克尔·安德森,彼得·乌斯蒂诺夫,Randolph Roberts,Lara Lindsay,Gary Morgan,劳拉·海佩西元2274年人类居住在由电脑控制的城市中,在这个城市中无优无虑,可自由毫无拘束的追求享乐;但到30岁时每一个人必须接受考验,一个探究永恒、重生的试炼……
海底两百里
沃尔特·皮金,琼·芳登,芭芭拉·伊登,彼得·洛,罗伯特·斯特灵美国海军上校尼尔逊(沃尔特皮金饰)领导潜艇海景号在北极下探测时,地球突生危机,大气层被一股大火燃烧,令地球极速升温,地球上干旱无雨,顿诚人间炼狱。科学家主张纷歧,尼尔逊决定由海景号发射核子飞弹,让其在大气层外爆炸以期熄灭大火,令地球降温。为求能够快速解决这个问题,尼尔逊毅然由船员自愿选择是留在船上还是继续前进,但是在全世界都没有办法的情况下,只有听命于尼尔逊的这个计划了……
海底军舰
高岛忠夫,中村哲,藤山阳子,藤木悠,佐原健二,上原谦,小泉博,田崎润,田岛义文,平田昭彦本多猪四郎監督 1963年/94分/カラー/35ミリ/東宝 出演:高島忠夫、小林哲子、田崎潤 世界征服を狙うムウ帝国の野望を阻むべく、旧日本海軍が極秘に建造を進めていた海底軍艦が水中・空中・地中を進む。海底軍艦はムウ帝国の守護神マンダをうち破り遂に心臓部に到達する!壊滅したムウ帝国の女王の行動も感動的で何度見ても見飽きない不滅のSF映画。
午夜微博
邓紫衣,唐禹哲,杜娟,刘羽琦,洪一平,刘鹏夜深人静,荒郊野岭。几名青年男女去永宁县某废弃工厂探险,并全程微博直播。他们为自己的无知和胆大妄为付出巨大代价,最终一死一疯,另外两人昏迷不醒,还有一人下落不明。美丽女记者萧薇(邓紫衣 饰)的妹妹霈霈及其朋友子妍正是这场意外的受害者,从医生口中得知,妹妹她们出事前一定受到常人难以想象的惊吓。萧薇的搭档阿康(唐禹哲 饰)调查后发现,霈霈她们前几日都曾被某神秘微博帐户@,之后在她们微博中便各自出现一个倒计时的画面,而业已归零的正是当前的死者子妍。 绝不相信鬼神传说的萧薇,决定亲自涉足永宁工厂一探究竟。伴随萧薇和阿康的追查,恐怖真相慢慢浮出水面……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
爱情储蓄罐
宋仲基,韩艺瑟,李相烨,申素率智雄(宋仲基 饰)大学毕业后便整日游手好闲。某天他认识了从对面天台跳过来捡瓶子的怪女人红实(韩艺瑟 饰)。守财如命的红实盯上了智雄住所的搬迁费,她暗中找到智雄的房东,把租房合同改到自己名下,令智雄无家可归。看到对方依旧乐观的样子,受到触动的红实承诺帮助他在短期内攒到巨款。毫不知情的智雄对红实的“善心之举”怀抱感激。他开始学习无条件听从红实的命令,但是时常暴露的败家本性又总会惹恼红实。 红实虽然异常吝啬,内心深处却也有着女人的梦想。她把辛苦攒到的钱交给意中人(李相烨 饰)托管,期望有一天能成为配得上对方的好女人。却不料一日意中人与情人携款逃跑,令红实深受打击。而智雄也终于得知当初无家可归的内幕,感到被利用的他是否会原谅红实?