新生活

4.5 播放:60万 更新:2026-04-28

一位驻扎在科索沃名叫西穆尔的年轻美国士兵被派遣到索非亚三天。全程乘坐夜班车,陪他一起的是罗斯科。他和其他士兵安顿在罗迪纳宾馆,就是那种20层的美国式的乱糟糟的客栈。在宾馆里面他遇上年轻的乌克兰妓女梅拉尼。西穆尔欲带着她离开那里,送她到美国后再重逢。他考虑要从皮条客伯扬手里为梅拉尼赎身,伯扬还从事着玫瑰香精的职业。他从事这些;正当;事业主要为了掩盖他的罪行。然而更不可思议的是  

即刻观影

剧情赏析

一位驻扎在科索沃名叫西穆尔的年轻美国士兵被派遣到索非亚三天。全程乘坐夜班车,陪他一起的是罗斯科。他和其他士兵安顿在罗迪纳宾馆,就是那种20层的美国式的乱糟糟的客栈。在宾馆里面他遇上年轻的乌克兰妓女梅拉尼。西穆尔欲带着她离开那里,送她到美国后再重逢。他考虑要从皮条客伯扬手里为梅拉尼赎身,伯扬还从事着玫瑰香精的职业。他从事这些;正当;事业主要为了掩盖他的罪行。然而更不可思议的是  

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变鬼2

Laila Boonyasak,Phan Rojanarangsri,Pitchanart Sakakorn

  一群银行劫匪从银行逃出后,来到了

杰夫·罗斯:带蕉上路

杰夫·鲁斯

在9月29日结束为期八周的有限活动后,《香蕉骑行》据说向罗斯展示了不同的一面,这是一场结合了喜剧、自传体故事和音乐元素的更个人化、更发自内心的表演。这部剧是关于庆祝生活、纪念损失和为生活中的意外事件做好准备。

时间浪人之爱你一大跳

艾伦,林佳陵,黄妮娜,郭祥鹏,陈姝,苗驰,纪阳木

  该片剧情主要讲述了一个现代花花公子楚留香每天周旋于多个情人之间,某天意外被情人们发现后将他扔下悬崖,等他醒来时发现自己竟离奇穿越到古代,并且被将军府千金杜鹃儿带回去做家丁,而更加不可思议的是,他发现杜鹃儿竟然也是从现代穿越来的,随后两人就发生了一段“山路十八弯,荡气回肠”的另类穿越爱情故事。

KING OF PRISM -Your Endless Call- 大~家一起闪耀!PRISM☆TOURS

寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦

《棱镜少男 KING OF PRISM》系列新电影

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

斯大林格勒大血战

鲍沃斯·布斯,柳博米拉斯·劳恰维丘斯,谢尔盖·尼科年科,费尔南多·阿连德,米哈伊尔·乌里扬诺夫,格特·容加斯,鲍里斯·涅夫佐罗夫,布鲁诺·弗雷因德利赫,亚历山大·戈洛博罗德科,Yevgeni Burenkov,费奥多尔·邦达尔丘克,卡尔·海因茨·乔恩斯基,欧克萨娜·范德拉,谢尔盖·加尔马什,瓦伦丁·格鲁本科,Andrei Grinevich,安德烈·古塞夫,Gerd Michael Henneberg,阿尔乔姆·卡拉佩强,季格兰·格奥萨扬,尼古拉·克留奇科夫,罗纳德·莱西,Horst Schulze,La

  本片反映勒第二次世界大战的历史转折点斯大林格勒战役,是一部极具历料及欣赏价值的巨作.是导演尤.奥泽洛夫的卫国战争三部曲的最后一部.1942年夏季,德军大举进攻苏联,苏军撒退到斯大林格勒进行顽强地抵抗双动用200多万能兵力,2千多辆坦克、大炮、飞机。最后苏军夺得了控制权,拖住了德军主力,11月19日,1万5千门大炮发出了震撼世界的吼声:"苏联红军开始了伟大的反攻"这也成了二次大战历史的转折点。 浓烈悲壮气氛破真实地记载宏伟辉煌的场面.本片塑造了斯大林,崔可夫,古洛夫,朱可夫,赫鲁晓夫,叶廖缅科,罗克索夫斯基,希特勒,冯.博克,保卢斯等多个历史人物的历史形象的同时也塑造了西班牙共产党人以及德国红色合唱团等反法西斯英雄的英勇形象