妈妈喝骂
“噢，欢迎光临。好久不见。” 去我家庆祝新婚恭子搬家的是我哥哥吉也。 趁着刚安顿不久就出差的姐夫不在，我隐瞒了要让妹妹成为我的贱人的意图…… “你看起来不错，给人留下了好印象，是啊，那就好，我今天就在这里开房了。” 杏子的朋友桃香积极追求她作为母亲，并积极接近她。 就在我们见面的酒店门口。 闲暇时，玩一点火。 莫莫卡怀着这样的心情吃着零食，但是…… 「好吧。我会告诉杏子小姐的……那么，嗯？拜托，再多一点……」 下午入住酒店。 再也承受不起的桃花变成了一个会尽全力被操的女人...... 和……
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剧情简介
“噢，欢迎光临。好久不见。” 去我家庆祝新婚恭子搬家的是我哥哥吉也。 趁着刚安顿不久就出差的姐夫不在，我隐瞒了要让妹妹成为我的贱人的意图…… “你看起来不错，给人留下了好印象，是啊，那就好，我今天就在这里开房了。” 杏子的朋友桃香积极追求她作为母亲，并积极接近她。 就在我们见面的酒店门口。 闲暇时，玩一点火。 莫莫卡怀着这样的心情吃着零食，但是…… 「好吧。我会告诉杏子小姐的……那么，嗯？拜托，再多一点……」 下午入住酒店。 再也承受不起的桃花变成了一个会尽全力被操的女人...... 和……
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一辆德国虎式坦克的五名车组成员被派往战火纷飞的前线后方执行一项秘密任务。在德军亢奋药物的刺激下，他们的任务逐渐变成了一场深入黑暗之心的旅程。
哈文赫特死亡公寓
一个女人，她的一个好朋友住进了哈文赫特公寓就再也没有消息，然后杰奎琳住进这栋公寓进行调查，却发现了这栋公寓的不为人知的历史.....
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.