剧情简介
Jake, a young houseboy, falls for his boss’ battered wife. As he helps her escape from her abusive husband, things get wild, messy, and bloody.
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胜利之歌
詹姆斯·卡格尼,琼·莱斯利,沃尔特·休斯顿,理查德·沃尔夫本片本讲述的是：乔治·柯汉是本世纪前期著名的百老汇表演艺人，身兼演员、作家、作曲家与舞蹈家于一身，他的生平故事可以说反映了四十年代以前美国娱乐事业的生态。本片是导演迈克尔·柯蒂兹与编剧爱泼斯坦尼兄弟合作的另一佳片，描述柯汉从一个地位卑微的儿童演员力争上游变成百老汇巨星的一生。以出色的制作和歌舞场面重现当年的娱乐圈面貌，并侧面反映了当时的美国社会脉动。在三十年代以主演黑社会片享有盛誉的詹姆斯·卡格尼改变戏路，在银幕上又唱又跳，生动而细腻地注释了主人翁的形象和个性，因而勇夺奥斯卡最佳男主角金像奖，片中出色的歌舞表演亦令人看得眉飞色舞
猎局反转
弗兰克·格里罗,欧嘉·柯瑞兰寇,奥利弗·特雷韦纳,兰达,Vladislav Lapidus,Lacy McClory,Emilija Matic这张照片讲述了一对绝望的夫妇，他们为了偿还暴徒的债务，进行了一系列高端入室盗窃。当他们试图抢劫最近的受害者时，他们发现自己陷入了一场致命的猫捉老鼠游戏，桌子被翻转，猎人成为猎物。
纽伦堡的审判
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔讲述二战后在纽伦堡提审德国纳粹计划的法律关系者，三个被告提审的原因是给犹太人施行断种手术。担任主审判长的是美国人赫鲁特，他主张其中两个被告无罪；而德国司法部长亚林克竟对此事保持沉默，但检查官罗森上校却激烈的指责被告，因此三个人展开激烈的辩论。审讯继续进行下去。而美国的高级官员们希望能在审判中获提德国所犯罪行的良好证明，因此对审判施以极大的压力，但赫鲁特坚守法律的正义立场，给予了最公正的判决。在宣布判决结果时，只有亚林对赫鲁特审判长的态度表示赞赏。
朝圣
柳西亚·加西亚,米奇·马丁,特里斯坦·乌罗阿,何塞·安赫尔·艾力格,莎拉·卡萨斯诺瓦斯,米丽亚姆·加列戈,珍妮特·诺瓦斯,席琳·蒂尔,米奇·罗布莱斯,塞尔吉奥·昆塔纳,大卫·萨拉伊瓦从小失去双亲的玛丽娜18岁了，为了申请奖学金，她必须离开养父母，前往大西洋海岸，从她从未谋面的祖父母处获得签名。新姨妈、叔叔、堂亲，她在众多新家人间周旋，不确定自己是会被接纳还是排斥。这段旅途唤醒了玛丽娜尘封已久的情感，揭开家族往昔的隐秘创伤，她由此拼凑起那些支离破碎、往往矛盾的记忆碎片，试图重现她几乎遗忘的父母身影。
恐怖特快
고이경 GO I-gyoung,李泰利,吴荷妮,李起昶,아인주작한 심령 현상을 생중계하며 인기 유튜버로 급성장한 ‘쥬저링’. 하지만 기쁨도 잠시, 주작을 들킨 ‘쥬저링’은 채널을 접어야 하는 위기에 빠진다. 불리한 상황을 한방에 뒤집으려는 ‘쥬저링’은 ‘마야신녀’와 함께 인적이 드문 외딴 집에서 회심의 심령 현상 라이브 쇼를 시작한다. 그 순간 이유를 알 수 없는 섬뜩한 일들이 벌어지고, 의문의 남성 ‘성민’과 마주치는데… 절대 그 문을 열지 말아야 했다! 봉인된 악을 깨운 그날의 라이브!
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超级士兵
约翰·亚伯拉罕,杰奎琳·费南德斯,拉库尔·普雷特·辛格目睹一名陆军士兵的崛起，他意识到自己的命运，并在与内心的恶魔和外部敌人作战时，成为印度第一名为打击恐怖分子而创建的超级士兵