大胸妹妹
以父亲的好学生为目标的淫秽姐姐的诱惑日记！Oppa，您想在我们的房间锻炼身体吗？上体育课的振宇参观了高中体育老师闵哲的家，他在城外度假。现在是大学生的上班族秀贤（Soo-hyun）和秀熙（Min-cheol），带着两个女儿向振宇致意。几天后，由于当地的一次研讨会，Minchul出差了。我对振宇离开家很抱歉那天晚上，秀贤在深夜喝醉了。抱怨上班族的不满。他引诱Jinwoo，说距认识一个人已经很久了。第二天，Su-hee完成锻炼后接近Jin-woo。她说她父亲很烦人，对她说的不好，并问她如何伸展。自然地，她开始吸引Jinwoo的原因是因为看到皮肤来回时她和姐姐在一起。
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剧情简介
以父亲的好学生为目标的淫秽姐姐的诱惑日记！Oppa，您想在我们的房间锻炼身体吗？上体育课的振宇参观了高中体育老师闵哲的家，他在城外度假。现在是大学生的上班族秀贤（Soo-hyun）和秀熙（Min-cheol），带着两个女儿向振宇致意。几天后，由于当地的一次研讨会，Minchul出差了。我对振宇离开家很抱歉那天晚上，秀贤在深夜喝醉了。抱怨上班族的不满。他引诱Jinwoo，说距认识一个人已经很久了。第二天，Su-hee完成锻炼后接近Jin-woo。她说她父亲很烦人，对她说的不好，并问她如何伸展。自然地，她开始吸引Jinwoo的原因是因为看到皮肤来回时她和姐姐在一起。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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