漆黑的海
年轻的警督卢卡莫恰Luca Moccia（路易吉洛卡肖饰）受命调查一桩女大学生被杀案，发现被害者在赤裸裸的交易后因极端私人性乐趣的做法被杀害的案情。调查中，卢卡通过浪荡子俱乐部的托衣舞女瓦伦蒂娜Valentina（安德烈娅欧什瓦尔特饰）接触到了女性生活的黑暗面。这些过着双重生活的俱乐部女孩让卢卡找回了他少年时代幻想的梦，他逐渐开始喜欢加入到俱乐部中，体验步入妇女黑暗生活的旅程。不久，痴迷使年轻的警务人员的思维和身体被吸入到这个黑色的漩涡中，并且涉及到他那个房地产经纪人身份的法国神秘女友维罗妮卡Veronica（安娜 穆格拉利饰）
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剧情简介
年轻的警督卢卡莫恰Luca Moccia（路易吉洛卡肖饰）受命调查一桩女大学生被杀案，发现被害者在赤裸裸的交易后因极端私人性乐趣的做法被杀害的案情。调查中，卢卡通过浪荡子俱乐部的托衣舞女瓦伦蒂娜Valentina（安德烈娅欧什瓦尔特饰）接触到了女性生活的黑暗面。这些过着双重生活的俱乐部女孩让卢卡找回了他少年时代幻想的梦，他逐渐开始喜欢加入到俱乐部中，体验步入妇女黑暗生活的旅程。不久，痴迷使年轻的警务人员的思维和身体被吸入到这个黑色的漩涡中，并且涉及到他那个房地产经纪人身份的法国神秘女友维罗妮卡Veronica（安娜 穆格拉利饰）
导演精选
洗发水
乔治（沃伦·比蒂 Warren Beatty 饰）是一名美容师，经过他那双神奇的手打理过后，所有的女人都会变得容光焕发。随着业务量的增长，女友吉尔（歌蒂·韩 Goldie Hawn 饰）鼓励乔治开设自己的美容院，可是，在这块寸土寸金的地方，想要拥有自己的一席之地谈何容易呢。乔治找到了生意人莱斯特（杰克·瓦尔登 Jack Warden 饰），想要说服他投资自己的美容院，而莱斯特并不知道的是，风流成性的乔治，不仅和自己的妻子有不清不楚的关系，甚至和他的女儿也走的很近。世界上哪有密不透风的墙呢，当吉尔得知了乔治的这些花边新闻后，还能够坚定地站在他身边支持他吗？
异形侵袭
所谓的无船员的船携带咖啡驶入纽约,但是当警察和一些科学家在船上发现了船员可怕的尸体和大量的盒子装满绿色虫蛋。爆炸的时候蛋温度升高和任何人谁接触的物质都会爆炸。现在政府介入和幸存的军官,一名上校和一名宇航员发现这些蛋可能与灾难性的火星任务有关。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.