即刻观影
剧情赏析
编辑推荐
派对浪客孔明 THE MOVIE
向井理,上白石萌歌,藤冈靛,森山未来,神尾枫珠,诗羽,菅原小春,八木莉可子,宫世琉弥,森崎温,石野理子,石崎Huwie,和田理生,本间朋晃,真壁刀義,长冈亮介,蔷薇园啊呜,菊地凛子,和田聪宏三国志の天才軍師・諸葛孔明が、なぜか現代の渋谷に転生。 アマチュアシンガー月見英子の歌声に心奪われた孔明は、英子とともに音楽の力で＜天下泰平＞を目指す。そんな中、日本を代表する3大音楽レーベル、KEY TIME、SSSミュージック、V-EXが頂点を競う、史上最大の音楽バトルフェスの開幕が決定。 各レーベルから多彩な強者アーティストが集結する中、孔明と英子も参戦することに。 だが、そんな二人の前に三国時代の孔明の最大のライバル司馬懿の末裔・司馬潤、shin兄妹が立ちはだかる。 果たして、孔明と英子の運命は──？
罗伯特玩偶的复仇
Lee Bane,Harriet Rees,Judith Haley在纳粹德国，玩具制造商拥有一本神秘的书籍，赋予无生命的生命。在躲过希特勒命令取回书的党卫军之后，这位玩具商登上了一列火车企图逃离该国。认为他很清楚，玩具制造商很快就发现，一批高级纳粹军官也加入进来。最终，他的秘密被揭露出来，纳粹关闭。但是，玩具制造商已经使用这个神奇的东西来带来一个名叫罗伯特的复古娃娃来生活 - 而罗伯特将毫无阻碍地保护他的主人。所以，当玩具制造商和杀手娃娃拿起纳粹时，就开始了一场血腥的战斗。这是对死亡的一场战斗，只有胜利者才会在下一站下车。
布袋人
山姆·克拉弗林,安东尼娅·托马斯,威廉·霍普,史蒂芬·克里,弗兰基·科里奥,阿黛尔·莱昂斯,亨利·佩迪格鲁,莎伦·D·克拉克,尼尔·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden本片改编自民间传说，几个世纪以来，在不同的文化背景下，父母都会警告他们的孩子要小心传说中的Bagman。Bagman会把无辜的孩子抓走，塞进那肮脏腐烂的袋子里，再也没法回到父母身边。Patrick McKee小时候曾逃过此劫，但这给他的生活留下了永久的创伤。现在，Bagman又回来了，威胁着他妻子Karina和儿子Jake的安全。
恶魔的破坏 前篇
几田莉拉,志水彩乃,种崎敦美,岛袋美由利,大木咲绘子,诹访部顺一,津田健次郎三年前的 8 月 31 日，突如其来的“侵略者”，—艘巨大的“母舰”降落至东京上空，世界似乎迎来了终结……在那之后，绝望融入了日常生活，巨大的圆盘飘浮在上空的世界持续到现在。小山门出、中川凰兰两个高中少女，在这个走向终结的世界中，挥洒着自己的青春时代。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
行动倒数
凯尔西·周,芬·维特洛克,丹尼尔·弗朗西斯,迪伦·比姆,Skye Little Wing Dimov Saw一位陷入哀痛的女子，前往偏远的森林深处，希望在那找到慰藉。却遇到了一位陌生人向她注射了一种麻痹剂。随着麻痹剂逐渐侵蚀她的身体，她必须在全身神经系统完全瘫痪前逃跑、躲藏并为生存而战。