子夜的太阳

⭐ 7.6 播放:04万 2026-05-01

影片改编自托尔斯泰小说《谢尔盖神父》(Отец Сергий)(1873),叙述了一个追求真理不可得、寻求上帝又不见,因而终日苦闷、彷徨的贵族青年悲哀、动人的故事。结构完整、寓意深刻,惊心动魄地表现了灵与肉的冲突。并带有浓厚的神秘主义色彩。 

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剧情提要

影片改编自托尔斯泰小说《谢尔盖神父》(Отец Сергий)(1873),叙述了一个追求真理不可得、寻求上帝又不见,因而终日苦闷、彷徨的贵族青年悲哀、动人的故事。结构完整、寓意深刻,惊心动魄地表现了灵与肉的冲突。并带有浓厚的神秘主义色彩。 

幕后花絮

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

孤儿2025

1956年匈牙利革命后,一个男孩从小被母亲灌输了关于已故父亲的理想化故事,却突然遇到一个粗野的男人,对方声称自己是他的亲生父亲。