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剧情简介
一位清贫的法律系学生立志成为律师，富有的叔叔极力资助他，实际上希望他成为女婿，此时他邂逅了美丽的女学生，因而发展了一段爱恨纠缠的恋爱关系 hellip; hellip;
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心中的杀手
卡西·阿弗莱克,凯特·哈德森,杰西卡·阿尔芭,尼德·巴蒂,伊莱亚斯·科泰斯,汤姆·鲍尔,西蒙·贝克,比尔·普尔曼,布兰特·布里斯科,马修·马希尔,连姆·艾肯,杰·R.弗格森,布蕾克·林斯利,诺亚·克劳福德,凯特林·特纳,Rosa Pasquarella,Phillip Borghee,布雷特·鲍尔,Lori Lynne Cross,Drew Nixon列宁格勒牛仔征美记
马蒂·佩龙帕,吉姆·贾木许,卡里·瓦纳宁,Sakke Järvenpää,萨卡里·库斯曼嫩,西卢·塞佩莱,马托·瓦尔托宁,奥利·图奥米宁,理查德·伯斯牯岭街少年杀人事件
张震,杨静怡,张国柱,王启赞,林鸿铭,金燕玲,王琄,张翰,姜秀琼,赖梵耘,柯宇纶,谭志刚,冯国强,陈湘琪,金士杰网红女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,马太乌兹·巴纳斯乌克,Rafal Królikowski修女2
泰莎·法米加,乔纳斯·布洛凯,斯托姆·瑞德,安娜·帕波维尔,邦妮·阿伦斯,凯特琳·罗斯·道尼,苏珊娜·伯蒂什,莱昂廷·翁西厄,阿努克·达尔文·霍梅伍德,彼得·哈德森,塔玛尔·巴鲁克,娜塔莉·萨福兰,马克西姆·伊莱亚斯-梅内特,帕斯卡·欧贝,亚历山德拉·詹蒂尔,弗洛伦斯·梅斯泰,玛歌·波莱尔,维维安娜·莫因,雷纳塔·帕尔米涅洛,富尔维娅·帕特里齐亚·奥利维埃里极乐
欧文·威尔逊,萨尔玛·海耶克,玛德琳·奇玛,内斯塔·库珀,乔舒华·莱纳德,小豪尔赫·兰登伯格,钱信伊,德龙·霍顿,史蒂夫·齐西斯,梅西·麦克利,凯蒂·麦克凯布,Debbie Fan,Erin Flannery,凯拉·亚当斯,Megan Le,达林·库珀,克里斯托弗·艾伯,斯科特·道格拉斯麦·克拉克伦人气佳作
离婚怨曲
梅根·古德,科里·哈德里克,约瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·劳森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,乔·科马拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony Johns德尔苏·乌扎拉
马克西姆·蒙祖克,尤里·索洛明,斯韦特兰娜·丹尼尔琴科塔米·菲的眼睛
杰西卡·查斯坦,安德鲁·加菲尔德,切莉·琼斯,文森特·多诺费奥,马克·怀斯特拉克,山姆·贾格,路易斯·坎瑟米,加布里埃尔·奥尔德斯,弗瑞德里克·林恩,钱德勒·海德,杰伊·胡古雷,格兰特·欧文斯,柯莉·坎帕尼,杰丝·威克斯勒,林赛·艾利夫,兰德尔·P·海文斯,Joe Ando-Hirsh,德鲁·布罗德里克,布伦特·莫雷尔·加斯金斯,Tanya Jacobson,小唐纳德·诺里斯,Dan Johnson,Michael MacCauley恐龙·怪鸟的传说
渡瀬恒彦,林彰太郎,沢野火子,津島智子,牧冬吉导演精选
末日逃生2：迁移
由于宇宙中的两颗彗星正面撞击了地球，致使地表生态遭遇毁灭性打击，造成恶劣后果。全人类不得不躲藏在地堡中求得生存。身为科学家的加里蒂带着一家人劫后余生，幸存了下来。虽然他们躲过了第一波的冲击，但是他们所在的地堡中剩余的生活物资逐渐减少，其他幸存的人类也开始蠢蠢欲动。迫于压力这一家人必须离开格陵兰岛的安全掩体，开始踏上危险的旅程。在这一路上他们无奈的发现，整个欧洲已经被毁灭，变成了冰冻荒地。于是一家人只能再次被迫上路，最终，他们找到了新的栖身之所。
阿特拉斯耸耸肩3
国家的经济正在快速崩溃，罪犯和黑暗势力控制了整个国家，政府已经无能为力，一个女人有了答案，她和其他人会不惜一切去找到他。他是谁？他是约翰.高尔特。本片获得第35届金酸莓奖提名最差翻拍、节选与续集。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.