万岁德国性派对
迷人的丽塔在罗伊特林根，德国的x愛派对开始了;自由ml的宗旨，实施;更有道德的自由。 而寻找新成员，他们会很快和教导公民暗示的姿势，它是由一个过分热心的警察谁愿意收刑警队办公室观察。此外，记者克劳斯连接到他们的脚跟推出一个耸人听闻的故事与小胖党闺蜜丽塔。
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小栗旬,上野树里,冈田将生,佐藤健,绫濑遥,石原里美,出口夏希圣母玛利亚
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张本煜,黄垲翔,刘扬,町田悠宇,粘土大介我很在乎
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丹尼尔·沃罗比耶夫,谢尔盖·别兹鲁科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利维,罗曼·迈迪安诺夫,奥尔佳·奥佐拉平亚The history of the military operation "Bagration", which took place in August 1944.
愿者安息
里法特·桑贾尔,Emrah Altintoprak,Cansu TürediCemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
疯狂舞蹈办公室
廉惠兰,崔成恩,崔乂园,朴浩山,白贤镇,安桐丘,尹善贤,申艺灿讲述了独自抚养女儿的公务员国熙相信完美主义是在世界上生存的唯一出路，命运般地遇到弗拉门戈舞而展开的故事。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster