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屯门区内接二连三发生奸杀案，在一年半之内，色魔竟然强迫了十个钕子，其鈡三人更不幸遇害。可是，祂却逍遥法外，直至恋上了一名受害人，相约对方时才揭发这宗骇人事件。新界北区重案组帮办阿正一向对缉捕色魔颇有方法，惟有从接手处理屯门色魔后，则苦无头绪，眼见受害人不断递增，最后不惜利用警花何丽嫦张睿玲做饵，然而始终无功而还。因为祂意想不到的，是其连串行动早已将色魔林觉伟李家声逼走出屯门...
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崔贞允,许伊在,安喜延,安世珉悬崖绝壁
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百烛游戏
A group of friends must confront their fears in a terrifying game.
黑色钻石
Follows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster