普里出租

戴夫造了个迷宫

　　艺术家戴夫，他的职业生涯，从来没有完成任何重要的作品。这次他造了一个迷宫，包含了幻想陷阱、诱杀装置，但不知何时，迷宫有了自己的生命，自行创造出多种机关怪物，甚至牛头怪。朋友们为了营救戴夫，进入折纸迷宫，大战机关和怪物，一场撕逼大战迫在眉睫……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

潜舰情缘

她是一名战术潜艇军官。他是管家。在潜水90天之前，她选择了“四个小时”。但它就在这里！谁跟着她！谁粘的！如果747机组人员以浪漫为荣，我们会去哪里？就像我们有时间在军事建筑上恋爱一样！然而，太平洋还不够大。北冰洋也没有。当你用如此伟大的爱彼此相爱时，世界是如此渺小。。。

蓝宇

 陈捍东（胡军）和蓝宇（刘烨）的爱情始于一场性交易，其时，蓝宇是为生活所迫决定出卖自己肉体的清纯大学生，陈捍东则是情场老手，惯做“花花公子”的他虽对特别的蓝宇怦然心动，却也认为蓝宇不过是他众多玩伴中的一个。慢慢地，随着两人交往的深入，陈捍东发现自己的心已在不知不觉间被蓝宇充满。可是他又不敢肯定，试图通过与女人结婚证明自己的“正常”，当求证到那不过是错觉一场时，蓝宇早已消失在茫茫人海。真正的爱情故事总是令旁观者唏嘘感叹，无论它是异性间还是同性间的。而令旁观者感动的爱情，往往又是同勇敢、固执、单纯等简单却难拥有的质量联系在一起的，蓝宇（和捍东）正属稀少的那类人，所以他们的爱情才显珍贵。

平原上的迷途

　　卡洛比安奇和多里亚诺是两个生活拮据的五十多岁男人，他们秉持着“绝不错过最后一杯酒”的人生哲学。在一次偶然的机会中，他们结识了朱利奥，一位性格内向、对人生感到迷茫的建筑学学生。这场看似不经意的邂逅，却逐渐演变成了一场穿越威尼斯平原的混乱公路旅行。　　在旅途中，糟糕的建议、宿醉的困扰以及意料之外的友情，不断挑战朱利奥对人生和爱情的原有计划。这场旅程不仅重新定义了他们彼此的生活，也让朱利奥开始重新思考自己的未来方向。

致我的青春