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克里斯托弗·阿波特,米娅·华希科沃斯卡,莱娅·柯丝达,奥利维亚·邦德,玛丽亚·迪齐亚,马琳·爱尔兰,达科塔·卢斯提克,维德尔·皮尔斯极限审判
克里斯·帕拉特,丽贝卡·弗格森,卡莉·瑞斯,安娜贝尔·沃利斯,克里斯·沙利文,凯莱·罗杰斯,杰夫·皮埃尔,拉菲·格拉沃恩,肯尼斯·崔,杰米·麦克布莱德,罗斯·格斯拉,马克·达内里,海顿·道尔顿,迈克尔·C·马洪,诺亚·费恩利,库里·普拉特,杰·杰克逊,马哈茂德·马哈茂德,安雅·阿克斯丁,理查德·赛特伦极限人生2026
张子栋,张雪菡,肥龙,王蕊,曹然然,王晓曦,吴连生大盗演
李灿森,姜文杰,詹瑞文,秦沛,曾美慧孜,乐瞳,胡慧冲,何华超,杨梓菁,唐贝诗,邝家瑜,潘伯仲,邱芷微,余晓彤,汤加文,田启文,吴云甫,林慧倩,郑咏谦湾岸 midnight the movie
中村优一,小林凉子日出1927
乔治·奥布莱恩,珍妮·盖诺,玛格丽特·利文斯顿,波蒂尔·罗辛,J·法瑞尔·麦克唐纳,Ralph Sipperly,简·维顿,阿瑟·豪斯曼,Eddie Boland,赫尔曼·宾 ,西德尼·布雷西,基诺·科拉多,Vondell Darr,萨利·艾勒斯,吉布森·格沃兰德,Fletcher Henderson,Thomas Jefferson,鲍勃·科特曼,F·W·茂瑙,Barry Norton,罗伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奥·怀特,Cla人气佳作
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莉莉·莱因哈特,罗拉·董,加布里埃尔·尤尼恩,维多利亚·佩德雷蒂,亚历山德拉·希普,大卫·皮纳德,奥斯汀·鲍尔,艾玛·张伯伦,查理·亨利·拉尔森,西德哈特·沙玛,海莉·莎莫,Caroline Vartanian,乔丹·杜阿尔特,Jeff Sinasac,Katherine Cruz埃迪森
LL Cool J,贾斯汀·汀布莱克,摩根·弗里曼,凯文·史派西,迪伦·麦克德莫特,约翰·赫德,加利·艾尔维斯,罗塞莉·桑切斯,达米恩·丹特·韦恩斯,马尔科·桑切斯,关永扬,安德鲁·杰克森,派珀·佩拉博,布赖恩·詹尼斯,叶芳华,罗伯特·米亚诺,BJ·哈里森,雷克哈·莎尔玛,彼特·科拉米斯,Klodyne Rodney,格伦·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托马西诺,大卫·帕拉菲,阿丽克西斯·卢埃林,Holly Eglington,卡佳范瑞西沉默的舰队2
大泽隆夫死亡将至
斯莱法·达尼什,凯特琳·哈尔德曼,Michael James Olindo导演精选
不离不弃2026
电影主要讲述了睿智沉稳的徐文轩、外表文静秀美但性格反叛火爆的白若雪，与伪君子海石在游戏世界相遇相识后，在现实世界里产生纠葛的爱情故事。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
检事霞夕子～无关系的死～
一名男子因猎枪走火而身亡，几乎所有的人都认为这是一起意外，只有一向风格强硬的检事霞夕子（泽口靖子 饰）倍感蹊跷。她执意深入调查，但是最终一无所获。与此同时，名叫安川初音（石野洋子 饰）的女子来到夕子老家的寺院上香，她此行的目的是悼念一个因被误解而意外死亡的男子。安川种种反常举动引起了夕子的注意，她旋即又对安川展开调查，却无意间发现这两起意外事件的关联。层层迷雾渐渐散尽，真相逐渐浮出水面…… 本片根据夏树静子的原著小说《路上の奇禍》改编，是3週連続 罪と女系列的第2部，另外两部分别为《破婚的条件》和《魔术的耳语》。