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热门影视 大家都在看
崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎贝尔,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor养鬼吃人10：审判
希瑟·兰根坎普 , 兰迪·韦恩 , 约翰·古拉格 , 凯特·琼斯 , Rheagan Wallace , 亚历山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole杨非与高俐
刘道玄,彭必瑶,潘国栋,刘占奎,陈纬,高果我爱777
舒淇,天心,谭耀文,杨恭如新外星人
克斯汀·埃伯索尔,乔纳森·沃德,蒂娜·卡斯帕里,劳伦·斯坦利,杰德·考戈里我家的事
蓝苇华,高伊玲,曾敬骅,黄珮琪,朱羿铭,姚淳耀,严艺文,郑有杰同类推荐
毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉S铜山的女人：失意的保险公司业务员山边夏美（石原里美 饰）和同僚桑原（小池彻平 饰）在归途中误入被封闭多年的S铜矿山，由此遭遇了一连串恐怖的诡异事件；小智：被情感困扰的女孩里奈（刚力彩芽 饰）按照都市传说给自己的手机打了电话，并连念三遍“小智”，希望解开心中疑惑，谁知此后却被小智缠上；凶手是谁：看似阴沉的派遣职员熊谷（北乃纪伊 饰）自称能够看到别人看不到的真相，她的上司三泽健太（草剪刚 饰）起初并不相信，但接连的事实让他大为震惊；诱惑的森林：小葵（岛崎遥香 饰）和朋友结菜（广濑爱丽丝 饰）去山里游玩，山中一间老旧的厕所却带给她们最恐怖的回忆；把手给我：勤奋的OL泷本理沙（桐谷美玲 饰）不知何时与同学兼同事的好友雅美（菜菜绪 饰）关系变差，压力巨大的她发现每晚都有一只手紧紧抓住她的胳膊；出租车司机的自述：老实的出租车司机中川（坂上忍 饰）在晚上载了一位要去很远地方的女客人，但是这位客人竟是如此沉默；黑暗中的视觉：人过中年的森川千寻（黑木瞳 饰）在一家工厂找到工作，拥有天眼的她看到了许多的鬼魂。
异次元骇客
克雷格·比尔克,阿明·缪勒-斯塔尔,格瑞辰·摩尔,文森特·多诺费奥,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍顿,莱昂·里皮,珍妮特·麦克拉克伦,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍华德·S·米勒,蒂娅·德克萨达,施瑞·阿普莱碧,鲍勃·克莱德宁,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韦弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布鲁门克兰茨,约翰尼·克劳福德,Tracy P十三，一个听起来就有些阴冷的数字。在一座大厦的第十三层，科学家道格拉斯•霍尔（克雷戈•比克饰）和汉农•富勒（阿明•缪勒－斯塔尔饰）用电脑模拟出一个逼真的1937年的洛杉矶，他们可以通过电脑进入这个虚拟世界，真实地体验1937年的生活与自己。然而一个夜里，富勒被人杀死，种种线索都表明似乎是霍尔所为。可霍尔却对当天夜里的事情全无记忆。这时一个自称是富勒女儿的女人又神秘出现，可霍尔从未听富勒说过自己有女儿……为了找到凶手明晓真相，霍尔循着富勒留下的线索来到虚拟世界中，他离真相越来越近了……近到窒息……
尘兔
大卫·达斯马齐连,麦斯·米科尔森,西格妮·韦弗,瑞贝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao小女孩Aurora(Sloan)去寻求邻居(米科尔森)的帮助：她相信家人被住在自己床底下的一个妖怪吃掉了，而这个邻居恰巧是训练有素的杀手，并且确信Aurora的父母是被一群来杀自己的人给误杀，于是，杀手的第一要务变成了保护小女孩的安全，两人一起上路，并肩面对自身的恶魔。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
旅行者的需求
伊莎贝尔·于佩尔,李慧英,权海骁,赵允熙,河成国来自法国的旅行者伊丽丝在韩国担任法语家庭教师赚取生活费。语言的隔阂让她和学生之问的交流充满错位感，东亚文化中不善于思考和表达内心情感的“痼疾"又与渴望交流与开放的心态交织在一起，触发了只有异国旅行者才能感受到的特殊孤独与惆怅。被誉为韩国作者电影第一人的导演洪常秀继《在异 国》《克莱尔的相机》之后与法国国宝级女演员伊莎贝尔·于佩尔再度合作，用极简主义的拍摄手法呈现细致入微的人际关系精妙互动，斩获2024年第74届柏林国际电影节评审团银熊奖。