面具

★ 9.0 播放:98万 更新:2026-04-27
主演:秦汉 

《面具》是1974年香港电影,描写林伟宾为了找一份工,遇上职业介绍所的老板娘,他开始面对赤裸的社会现实。原来大多数人都是戴着面具过日子?他接触过交际花,同性恋者,寂寞的有钱太太,模特儿等的丑行,而他在不知不觉间成为男妓……

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剧情简介

《面具》是1974年香港电影,描写林伟宾为了找一份工,遇上职业介绍所的老板娘,他开始面对赤裸的社会现实。原来大多数人都是戴着面具过日子?他接触过交际花,同性恋者,寂寞的有钱太太,模特儿等的丑行,而他在不知不觉间成为男妓……

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春天不是读书天

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恩典

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好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster