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麦卡·梦露,艾伦·霍科,特洛伊·科特苏尔,杰西·厄文,海伦·亨特,帕特里克·萨邦圭,戴维·哈索姆,瓦罗娜·塞茨瓦埃洛,诺亚·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麦克马洪,Yannick Lemos,Steven Miller,Barry Tuff,奥斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait暗泳
怀亚特·拉塞尔,凯瑞·康顿,艾米丽·霍菲尔,加文·沃伦,南希·利内翰,本·辛克莱尔,乔迪·朗,埃迪·马丁内斯,普雷斯顿·加利,埃莉·阿莱扎,艾万·乌塔帕,埃莉诺·T·斯雷特,以利亚·J·罗伯茨怀旧者
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局外人2025
本杰明·瓦赞,皮埃尔·洛廷,斯万·阿劳德,德尼·拉旺,丽贝卡·马德,本杰明·希克戈尔,让-本笃·尤格斯,让-查理·克里切特1930年代的阿尔及利亚,冷漠的法国人默尔索对生命彻底漠然。他的情感疏离最终导致一场谋杀,随后的审判不仅审视罪行,更拷问其灵魂。改编自加缪小说《局外人》。
捕蛇者说
雾山捕蛇人深陷苛政与蛇祸双重绝境,异变的阴影笼罩村落,一场关乎救赎与守护的博弈悄然开启。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
笑脸杀人狂
罗南·鲁宾斯坦,米娅·塞拉菲诺,克里斯平·格洛弗,阿马迪厄斯·塞拉菲尼,阿什莉·里卡兹,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey PratherAbout a handsome young soccer player Jake Graham who believes he is going insane, unable to shake the feeling of being stalked by something, by someone.