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French director Alain Guiraudie’s follow-up to his 2013 controversial and daring film STRANGER BY THE LAKE once again shocked the audience at Cannes Film Festival. This wild and dark comedy is a departure from the style of his previous film, the unexpected ending created a jaw-dropping moment for audiences from around the world. Filmmaker Leo meets free-spirited Marie, together, they create a baby. With no confidence in Leo’s future, Marie abandons Leo and the baby, leaving Leo alone with a baby to feed. While struggling to continue his career as a filmmaker, Leo is going to do whatever it takes to survive despite a series of unexpected turns and shocking encounters.
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龙林逃生
陈升卫,林千雯,鬼哥,龙娜,薛琼,李信庆无限：未知对象
托莉·巴特勒-哈特,伊恩·麦克莱恩,康勒斯·希尔,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart失落的世界1960
迈克尔·伦尼,大卫·海迪生,Jill St. Hedison,克劳德·雷恩斯,费尔南多·拉马斯,理查德·海顿,Ray Stricklyn箱男
永濑正敏,浅野忠信,佐藤浩市,白本彩奈,涩川清彦,中村优子,川濑阳太爱情抓马
罗伯特·帕丁森,赞达亚,马莫多·阿西,阿拉娜·哈伊姆,海利·盖茨,佐伊·温特斯,迈克尔·阿伯特,西德妮·莱蒙,亚亚·戈塞林,佩顿·杰克逊,乔丁·库雷特,马修·J·麦克劳克林,蒂埃雷·迪亚斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎贝尔,卡拉·科尔南·约瑟夫,马克斯·德德里安,凯西·麦克尼尔地心记
彼得·库欣,道格·麦克洛,卡罗琳·莫罗,Cy Grant,Godfrey James,基思·巴伦,Robert Gillespie同类推荐
犯罪现场调查完结篇：不朽
特德·丹森,乔雅·福克斯,艾瑞克·兹曼达,罗伯特·大卫·豪尔,华莱士·朗翰,大卫·伯曼,伊莉莎白·哈诺伊斯,乔·维尔内尔,威廉·彼德森,玛格·海根柏格,保罗·吉尔福伊尔,迈克尔·比奇,布瑞达·伍尔,凯蒂·史蒂文斯,Alexandra BarretoCBS的秋季时间表透露了CSI的最终命运：将推出一个2小时的电视电影作为大结局，元老级角色将回归，包括“葛瑞森”威廉·彼德森、“凯瑟琳”玛格·海根柏格。大结局将于9月27日播出，然后《网络犯罪调查(CSI:Cyber)》第二季接档。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
像我这样的爱情
廖子妤,陈家乐,刘雅丽,杨淇,刘若宝,林芷沿我们这样，是爱吗？阿妹天生患有脑性麻痹，性格却异常跳脱乐观，闲时会约朋友踩板吹水，画画作乐，二十多年来一直努力不被身体耽误。可是过度保护的母亲坚决安排她进行子宫切除手术，阿妹努力建立的生活再次失去平衡，她的身体永远是不由自主的。在朋友推荐下，阿妹找到了一个专为残疾人士提供性服务的自发组织，并认识了义工Ken。这无私的相遇仿佛抚慰了两个受伤的灵魂，那日渐累积的情愫冲淡了道德与身体的羁绊，这样的关系，是爱吗？ 谭惠贞继《以青春的名义》（第14届开幕电影）后第二部长片作品，将爱情元素和身障者性权益议题融合，成就一个道德探索与自我寻找的故事。
我的小狮王
Gérard Darmon,卢·拉布雷希特,莱昂·洛雷亚,蒂博·德·蒙塔朗贝尔King, a trafficked lion cub, escapes from the airport in mid-transit and finds shelter in the home of Inès and Alex, 12 and 15. The siblings come up with a crazy scheme: to bring King back to Africa. Unfortunately, the customs agents on their tail don't make their mission easier. But soon, Max, the kooky grandfather they've only met twice before, joins their adventure... and from then on, the sky's the limit.
罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮★《罗格河》：一位年轻的女性驾车沿着罗格河旅行，可是她的车子却神秘的消失了。失去了代步工具和通信，别无选择，她只得接受了一位陌生人的好意在他的小屋中过夜。可是这个选择却让她后悔终生。在接下来的时间里除了折磨还是折磨，难以描述的疼痛与令人恐怖的苦痛。如果你看过苦痛，你就什么都没看过。这部电影在其他恐怖电影结束之处开始，恐惧与作呕将萦绕观影者始终。