性福帮帮忙
彩媛為了結婚而與情侶仲介朱諾見面,進行商談。暂无内容對於沒做好準備卻想要和有錢男人結婚的彩媛來說,朱諾提議要培養性愛技巧。暂无内容昌俊也因爲結婚,與情侶仲介佳仁見面進行商談,且佳仁不斷勸迷戀於虛擬性幻想對象的昌俊與現實的人相遇,並傳授了性愛技巧。暂无内容就這樣在朱諾和佳仁的安排,下彩媛和昌俊見面了,就在兩人打算到汽車旅館翻雲覆雨時,雙方的情侶仲介卻……
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剧情简介
彩媛為了結婚而與情侶仲介朱諾見面,進行商談。暂无内容對於沒做好準備卻想要和有錢男人結婚的彩媛來說,朱諾提議要培養性愛技巧。暂无内容昌俊也因爲結婚,與情侶仲介佳仁見面進行商談,且佳仁不斷勸迷戀於虛擬性幻想對象的昌俊與現實的人相遇,並傳授了性愛技巧。暂无内容就這樣在朱諾和佳仁的安排,下彩媛和昌俊見面了,就在兩人打算到汽車旅館翻雲覆雨時,雙方的情侶仲介卻……
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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