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开着我的房车去旅行
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李劲峰,苏濛濛,骆达华第九区
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薛景求,严志媛,李来,金海淑,金相镐,罗美兰,杨真诚,权泰元黑暗收割
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求爱反斗星
张艾嘉,陈百祥,张国荣,曹查理繁华的国际大都会香港闹市中心,口若悬河的洪家宝(陈百祥 饰)带着傻乎乎的小弟麦交(邵国华 饰)公然行窃,结果路上遭遇妙龄女郎嘉嘉(张艾嘉 饰)举报。虽然两人百般抵赖,但在最后关头漏了马脚,被警察关进监狱。令洪、麦意想不到的是,嘉嘉居然是监狱的辅导官,所谓冤家路窄,洪家宝真是窝了一肚子火。二人所在的牢房狱霸横行,为了逃出对方魔爪,他们不惜羞辱监狱长官。经过一段时间牢狱之灾,二人和狱中认识的伙伴冠仁(胡大为 饰)出狱。谁知他们死性不改,骗吃骗喝再度锒铛入狱,这次又撞上了有着一副好皮囊、爱装警察的小混混荣仔(张国荣 饰)。 洪家宝大骂荣仔,意想不到的是荣仔的老姐居然就是洪的仇敌嘉嘉……
星辰之怒
杰克·麦克维,安德里亚·提瓦塔,Elijah Rowen,奥塔尔·萨拉利兹,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron一个来自国际特种部队的女人的故事,她对人类即将结束有预感。《乱世佳人》是一部由多部获奖短片《不再有明星》发展而来的故事片。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
花魁~SAGA
冲田杏梨,佐山爱,盐谷瞬現代東京,三位女性——愛、瑪麗、杏珠——在繁忙與孤獨的⽣活中尋找愛與⾃我。某⽇,她們⼀同前往溫泉旅⾏,在閃爍的燈光與笑聲之間,⼀道神秘的閃光將她們帶入時空裂縫。當她們再次睜眼,眼前已成為⼀個充滿異⾊與絢爛的幻夢世界——「仮想・吉原」。在這座融合江⼾、⼤正與現代意象的花街中,她們分別化身為花魁「三浦太夫」、「薄桜」、「富⼠太夫」,成為欲望、權⼒與愛情交錯的舞台中⼼。