我美丽的守护天使

★ 6.7 播放:94万 更新:2026-04-29

别名:TheSoulKeeper;什么离了雨水还能生长?什么可以永远不停地熄灭?石头离了雨水还能生长;爱情可以永远不停地熄灭。2002年的意大利电影;我美丽的守护天使(Prendimilanima),真得像它的名字一样,有让人窒息的美艳。从弗洛伊德时代的奥天时到列宁斯大林时代的苏俄,时空自身的魅力像永远不会熄灭的火焰熄灭,再加上被意大利艺术家赋予的流利的节拍、地道的影调、诱人的俄罗斯风情的音乐,一部不容错过的艺术影片降生了。萨拜娜(Sabina),一个曾经真实地活在这个世界上的女人,年岁悄然由于患上狂躁症被扔进了疯人院,弗洛伊德的先生祖(Dr.Jung)成了她的主治医生,祖用爱唤醒了萨拜娜的感知,把她呼唤回了往常人的生活,她成了一个研讨弗洛依德实际的专家。祖,这个曾经成家立业的男人,成了萨拜娜从小就神往的守护天使。那是有足够的时间和空间去风雅的时代,秀美惊人的面孔,被一丝不苟的发饰和化装烘托着,光荣照人;领子、袖口的精致细节、灰暗大衣下显露的眩目内衬每一处细节的颜色搭配都可谓完美,甚至歌剧院的座椅严惩、柔软都显示了一种阔绰富余的优雅。重新扬起生活风帆的Sabina和她的守护天使祖,身处这样一个孕育温顺乡的所在,双双感染上了一种叫ML情的疾病,终身未能康复。和大局部的婚外爱情一样,撕心裂肺的痛苦之后,终于以一方黯然离去而告终结。萨拜娜回到了自己的故土苏俄,生育女儿、写学术著作,还兴办了一家取名;白色的幼儿园,用弗洛伊德的方法束缚儿童天分,接纳的先生里甚至包括斯大林的儿子。真正的爱情不能被遥迢岁月、重重关山阻隔,萨拜娜不时给祖写信,依然呼唤他为;我美丽的守护天使,字里行间不只是永远不会冷却的友情,更有一颗敏感心灵对祖国未来的焦虑、一个有良知的知识分子对暴政的鞭笞。1942年,犹太人萨拜娜被德国纳粹关进了犹太礼拜堂,和她的女儿一同被枪杀。萨拜娜临死把自己随身携带的日记本悄然藏进了礼拜堂的桌子抽屉里,因此我们能在明天知道这个世界上曾经存在过一个叫萨拜娜的女人,还有她如火焰般熄灭的终身里的痛苦与甘美。;由于兽性同一,我们本为一体,而结合的愿望和追求就叫ML情。柏拉图《会饮篇》

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剧情简介

别名:TheSoulKeeper;什么离了雨水还能生长?什么可以永远不停地熄灭?石头离了雨水还能生长;爱情可以永远不停地熄灭。2002年的意大利电影;我美丽的守护天使(Prendimilanima),真得像它的名字一样,有让人窒息的美艳。从弗洛伊德时代的奥天时到列宁斯大林时代的苏俄,时空自身的魅力像永远不会熄灭的火焰熄灭,再加上被意大利艺术家赋予的流利的节拍、地道的影调、诱人的俄罗斯风情的音乐,一部不容错过的艺术影片降生了。萨拜娜(Sabina),一个曾经真实地活在这个世界上的女人,年岁悄然由于患上狂躁症被扔进了疯人院,弗洛伊德的先生祖(Dr.Jung)成了她的主治医生,祖用爱唤醒了萨拜娜的感知,把她呼唤回了往常人的生活,她成了一个研讨弗洛依德实际的专家。祖,这个曾经成家立业的男人,成了萨拜娜从小就神往的守护天使。那是有足够的时间和空间去风雅的时代,秀美惊人的面孔,被一丝不苟的发饰和化装烘托着,光荣照人;领子、袖口的精致细节、灰暗大衣下显露的眩目内衬每一处细节的颜色搭配都可谓完美,甚至歌剧院的座椅严惩、柔软都显示了一种阔绰富余的优雅。重新扬起生活风帆的Sabina和她的守护天使祖,身处这样一个孕育温顺乡的所在,双双感染上了一种叫ML情的疾病,终身未能康复。和大局部的婚外爱情一样,撕心裂肺的痛苦之后,终于以一方黯然离去而告终结。萨拜娜回到了自己的故土苏俄,生育女儿、写学术著作,还兴办了一家取名;白色的幼儿园,用弗洛伊德的方法束缚儿童天分,接纳的先生里甚至包括斯大林的儿子。真正的爱情不能被遥迢岁月、重重关山阻隔,萨拜娜不时给祖写信,依然呼唤他为;我美丽的守护天使,字里行间不只是永远不会冷却的友情,更有一颗敏感心灵对祖国未来的焦虑、一个有良知的知识分子对暴政的鞭笞。1942年,犹太人萨拜娜被德国纳粹关进了犹太礼拜堂,和她的女儿一同被枪杀。萨拜娜临死把自己随身携带的日记本悄然藏进了礼拜堂的桌子抽屉里,因此我们能在明天知道这个世界上曾经存在过一个叫萨拜娜的女人,还有她如火焰般熄灭的终身里的痛苦与甘美。;由于兽性同一,我们本为一体,而结合的愿望和追求就叫ML情。柏拉图《会饮篇》

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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没问题2021

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