老虎的女人
A暂无内容woman暂无内容who暂无内容had暂无内容a暂无内容tragic暂无内容past暂无内容of暂无内容being暂无内容raped暂无内容by暂无内容a暂无内容man暂无内容and暂无内容since暂无内容then暂无内容has暂无内容never暂无内容felt暂无内容secure暂无内容enough暂无内容to暂无内容pursue暂无内容a暂无内容relationship.暂无内容She暂无内容gets暂无内容lost暂无内容in暂无内容the暂无内容forest暂无内容where暂无内容she暂无内容encounters暂无内容a暂无内容strange暂无内容naked暂无内容female暂无内容monster暂无内容with暂无内容a暂无内容tiger暂无内容tattoo,暂无内容who暂无内容transformed暂无内容her暂无内容into暂无内容a暂无内容sexy暂无内容tiger暂无内容beast.
剧情简介
A暂无内容woman暂无内容who暂无内容had暂无内容a暂无内容tragic暂无内容past暂无内容of暂无内容being暂无内容raped暂无内容by暂无内容a暂无内容man暂无内容and暂无内容since暂无内容then暂无内容has暂无内容never暂无内容felt暂无内容secure暂无内容enough暂无内容to暂无内容pursue暂无内容a暂无内容relationship.暂无内容She暂无内容gets暂无内容lost暂无内容in暂无内容the暂无内容forest暂无内容where暂无内容she暂无内容encounters暂无内容a暂无内容strange暂无内容naked暂无内容female暂无内容monster暂无内容with暂无内容a暂无内容tiger暂无内容tattoo,暂无内容who暂无内容transformed暂无内容her暂无内容into暂无内容a暂无内容sexy暂无内容tiger暂无内容beast.
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遇见世界
杉咲花,南琴奈,板垣李光人,苍井优,涩川清彦27岁的由嘉里沉迷于拟人化烧肉漫画《肉即吾命》，却始终无法接纳真实的自己。面对朋友们纷纷步入婚姻与家庭，她感到焦虑与孤独，尝试通过相亲改变现状，却屡遭不顺，醉倒在歌舞伎町街头。此时，她被陪酒女莱伊救起，两人由此展开一段微妙的关系。随后，由嘉里又结识了已婚男公关朝日，三人各自背负着不同的生活压力，却在彼此陪伴中逐渐找到归属与勇气。 影片改编自金原瞳撰写的同名小说。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
观光路线
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风雪飘摇
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