即刻观影
剧情赏析
编辑推荐
731
姜武,王志文,李乃文,林子烨,孙茜,冯文娟,温碧霞,李善玉,张琪,李彧,乌兰托雅·朵,平田康之,小野巽,佐藤匠,徐光宇1945年抗战胜利前夕，侵华日军第七三一部队在哈尔滨平房区以“给水防疫”为名，秘密进行惨无人道的细菌战研究，大肆抓捕平民进行活体实验，妄图以此扭转败局。小贩王永章（姜武 饰）等人被强行抓入“特设监狱”，日军以“配合健康检查与防疫研究即可换取自由”的虚伪承诺，欺骗他们遭受冻伤实验、毒气实验、活体解剖等极端折磨…… 影片通过平民视角揭露日军反人类暴行，展现绝境下国人不屈的反抗精神，旨在让世人铭记历史，勿忘国耻，捍卫和平。
黎明杀祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,卢卡什·什切帕诺夫斯基,巴特罗米耶·托帕,Paulina Zwierz暴风雪肆虐的圣诞夜，一群年轻演员受邀前往神秘的海森霍夫家族经营的巴洛克剧院，排演那位隐居剧作家的巅峰之作。随着一名戴着“眼球面具”的杀手现身，排练演变为惨烈的生存竞赛。演员们后知后觉地发现，剧本中的每一幕死亡，都是一场旨在召唤反基督者的古老仪式。
角头：斗阵欸
高捷,蔡振南,太保,喜翔,龙天翔,王识贤,夏靖庭,孙鹏,黄腾浩,张怀秋,黄尚禾,郑人硕,张再兴,唐振刚,吴震亚,黄冠智,林真亦,陈万号,白吉胜,李铭忠,崔浩然,黄镫辉,吴念轩,是元介,瑞玛·席丹,王阳明,陆明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永腾,游安顺,伊正,王自强,孙国豪,草爷因父亲挑起新旧敌对帮派的激烈地盘斗争，身为儿子的他则试图掌控腥风血雨的台湾黑社会，在兄弟情与自身处境的夹缝中被迫前进。外部敌对势力步步进逼，内部也因误会与压力而开始产生裂缝，使得情义不再是理所当然的依靠……
解决专家
黄才伦,邱意浓,林子聪,许诗晨,王瀚邦,王人可,文东俊,岳冬峰,刘奕心,阿蒂娅,刘海涵,解斯童“解决专家”衣然英俊遇到罗师傅上门求助，罗师傅因跌打油遭诬告，其妹双双、盈盈为帮兄私自参加高颜奖金选美。衣然英俊携老孙、罗师傅追至赛场，与罗妹及中国选手徐菲组队，闯丛林、破庙宇机关，最终揭穿比赛的阴谋，助罗师傅渡过难关。
幻视
南奎丽,李天熙,李奎翰,东铉培,金宰范,郑恩星,薛智允,崔大成,金光炫,吴雅琳,赵汉善,郑敬淏该片讲述因神经衰退正在接受治疗的智敏在亲眼目睹肇事逃逸事故后，总是分不清现实和幻想，并因此经历了神秘事件的故事。南奎丽饰演女主角智敏，这也是她时隔三年重返银幕，并首次挑战惊悚片，电影计划于今年9月开拍，预计将于2018年上半年上映。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.