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剧情简介
提早送妻子和中年的儿子独自生活, 和一个性感的日本出生的公民埃里卡被带回家。我介绍了在未来与贤敏的儿子住在一起的新妈妈, 贤敏感觉到了埃里卡的感情, 他不值得这样的父亲, 但很性感。一窥我父亲和一个新妈妈的性爱场面, 那天晚上我看到了一个公开的拜访..。
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万世英雄
查尔顿·赫斯顿,索菲娅·罗兰,雷夫·瓦朗,吉内瓦维·佩吉,约翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲尔德,马西姆·塞拉托,弗兰克·思林,迈克尔·霍尔德恩,安德鲁·克鲁克香克,道格拉斯·威尔默,托里奥·卡米纳提,拉尔夫·杜鲁门,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齐,芭芭拉·埃弗里斯特,尼里奥·贝尔纳迪,赫伯特·罗姆,欧米洛·康帕纳,Antonio Mayans,保罗·穆勒,保罗·纳什,欧露莎尔芭·奈丽,维尔吉里奥·特谢拉三块广告牌
弗兰西斯·麦克多蒙德,伍迪·哈里森,山姆·洛克威尔,艾比·考尼什,卢卡斯·赫奇斯,彼特·丁拉基,约翰·浩克斯,卡莱伯·兰德里·琼斯,凯瑟琳·纽顿,凯瑞·康顿,泽利科·伊万内克,萨玛拉·维文,克拉克·彼得斯,尼克·瑟西,阿曼达·沃伦,玛拉雅·瑞沃拉·德鲁,布兰登·萨克斯顿,迈克尔·艾伦·米利甘南部僵尸来袭
Megan Few,Jeremy Sande,Michael Joiner飞虎神爪
程琢,孙文雪,刘泽宇,任宇,刘宇迟来的愤怒
安东尼奥·德·拉·托雷,路易斯·卡叶赫,露丝·迪亚斯,劳尔·希门尼斯,曼诺罗·索洛,冯特·加西亚,皮拉尔·戈麦斯,艾丽西娅·鲁维奥,盖兹卡·阿达纳斯,马丁·卢纳,查尼·马丁,恩里克·德拉托雷,茵玛·桑乔,帕科·本杰梅亚,贝尔塔·埃尔南德斯皇家次子女秘密组织
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怪谈晚餐
这部电影将六个故事组合成一个综合系列，描绘了由于人类错误的欲望而发生的奇异事件。
半身死灵2
经历了最可怕的一段过去，可奈（大岛优子 饰）已经精神接近崩溃，残酷命运的安排，让她最终也无法逃脱半身死灵“嗒卡嗒卡”的猎杀。路过事故现场的水谷菜月和中岛玲子是就读同一所高中同一班级的好友，她们的学校即将举行文化祭。担任文化祭委员的玲子无意中触怒了班内小集团的头头刀根绘梨香，由此遭受了无休无止的孤立和欺凌。菜月看在眼里，却不敢组织，只能随波逐流。终于有一天，再也无法忍受的玲子将希望寄托在半身死灵身上，她将与绘梨香亲近的同学相继骗到人行天桥，目睹她们被猎杀的残忍一幕。 菜月终于发现了好友的秘密，她尝试阻止，并且了解到半身死灵的背景和不为人知的过去，可是为时已晚……
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster