桑叶

2.3 播放:91万 2026-04-30
主演:李美淑 李大根 

安玄烁是村里最漂亮的美女,她的丈夫金甫喜欢du博,而且一年都不回几次家,安为了给他弄钱花去打工采桑仁,村里的男人们和女人们都很喜欢和她搭话。由于生活过于艰苦,安虽然受到良心的责备,但她还是决定用肉体去换取金钱。此事被村里的女人们知道了,村里的长老宣布要将她赶出村子去,但在她的魅力面前,大家还是下不了手,纷纷拜倒在她面前。对于这种要限制她的言语,安也根本不予以理解,这使得金德鲁气愤异常,出于报复,跑到金甫面前告知了一切,金甫闻言大怒,他打倒金德鲁,并回去质问妻子,当得知这一切都是为了他之后,他原谅了安,又离开村子进城去了。其实,金甫的真实身份是一名抗日分子,一个年轻的日本宪兵正在追踪他。 故事发生在二十世纪20年代,片中取景是在一个当时被日本军队占领的朝鲜小村子里。描写的是一个年轻的妻子和好几个男人接触,这或许也代表了当时朝鲜民族生命力的旺盛。故事里描述了村民是如何战胜贫穷的,他们对于生活有自己的理解与努力,面对日本伯爵占领,他们勇敢无畏,坚持自己的民族信念。导演李斗镛是韩国的中坚导演,这部作品正是他80年代在韩国新电影冲击下,走向;作家电影 的代表作之一,此片曾在日本公映过。   

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同款热播

猫吻:当你打开心扉的那一瞬间

吴东旻,류아벨

失去妻子后,没有灵魂地生活的童话作家赵容熙。他只要去妻子画画的房间,就会出现过度呼吸的症状,很久没进过那个房间了。但是从某一天开始,那个房间里开始传来奇怪的声音。鼓起勇气打开房门的龙熙。妻子房间的天花板漏水,住着在仁偷偷藏起来的小猫。在仁拜托我养猫,雪上加霜的是,来修理天花板的木匠哈罗恩提议把闲置的房间变成猫的房间…龙熙究竟会做出什么选择?

遇见世界

杉咲花,南琴奈,板垣李光人,苍井优,涩川清彦

27岁的由嘉里沉迷于拟人化烧肉漫画《肉即吾命》,却始终无法接纳真实的自己。面对朋友们纷纷步入婚姻与家庭,她感到焦虑与孤独,尝试通过相亲改变现状,却屡遭不顺,醉倒在歌舞伎町街头。此时,她被陪酒女莱伊救起,两人由此展开一段微妙的关系。随后,由嘉里又结识了已婚男公关朝日,三人各自背负着不同的生活压力,却在彼此陪伴中逐渐找到归属与勇气。                                                                        影片改编自金原瞳撰写的同名小说。

咒物寻凶

格威利姆·李,卡罗琳·布莱肯,塔格·墨菲,卡罗琳·门通,史蒂夫·沃尔,乔纳森·法兰西

  丹妮原本和丈夫泰德正在翻修偏僻的乡间别墅,却在此地惨遭杀害,所有人都怀疑是当地精神病院的病人所为,因为泰德正是该院的一名医生。然而,案发后不久,嫌疑人就被发现死亡。一年后,丹妮的双胞胎盲妹达茜(Darcy),一个自称通灵者和诅咒物品收藏家的人,意外拜访了泰德和他的新女友雅娜。达茜深信她姐姐的谋杀案远比人们知道的要严重得多,因此她带来了她收藏的最危险的诅咒物品,以帮助她复仇。

血腥姐妹会

科林·伊格斯菲德,迪伦·斯派比利,米娅·罗斯·弗兰普顿,兰迪·库卓,莱克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷内,梅莉尔·罗斯,泰勒·乔恩·奥尔森,凯瑟琳·勒,塔尼娅,谢伊·巴克纳,詹妮弗·提图斯,Natali Yura

  智慧与美貌并存的Riley进入大学后加入了一个人人眼羡的姐妹会,成员都有着维密天使般的脸蛋和身材,可姐妹会中的成员却相继死去,被连环杀人犯取掉身上了一部分做成玩偶,一个想要睡遍姐妹会中所有人的帅哥Carter成为首要嫌疑人,软件Row的秘密也随之浮出水面,Riley的妈妈竟曾也是姐妹会的一员 她的死背后隐含着什么秘密

初始者

什恩·卡鲁斯,大卫·苏利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat

  获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》,讲述的是四位合作者出于兴趣发明了一台查错仪器,却意外地发现这台仪器拥有强大的商业价值,最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(ShaneCaruth)首次执导的剧情长片,该片由他自己投资,并身兼编剧、导演、主演数职,体现出独立电影的“DIY”精神。另外,令人津津乐道的是该片不足7000美元的超低制作成本,只相当于一辆富康车的价钱……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.