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剧情提要
著名美女影星费米 middot;本纽西 Femi Benussi（知名作；《继母》等）与玛丽莎 middot;隆戈 Malisa Longo知名作；米兰达 / 布达佩斯小酒馆 等） 本片剧情；一个闷骚的中年数学老师，爱上了一个学生，阿兰。但她的资产阶级的成长来自于这个幻想爱的方式，直到她发现阙她最好的朋友了周五的年轻人。
暗夜精选
给我你的爱2
塔布,阿贾耶·德乌干,马达范,妮哈.沙尔玛,拉库尔·普雷特·辛格全面开战：兄弟会
纳鲁纳·科斯塔,Camilla Damião,大卫·桑托斯,艾尔兹奥·维埃拉,Enio Cavalcante,艾米拉·盖德斯,Lee Taylor,马西莉亚·卡尔塔舒,塞乌·乔奇,史蒂法尼·莫塔,Samurai Cria非请勿进
斯蒂芬·多尔夫,娜塔莎·麦克艾霍恩,斯蒂芬·瑞商战街
Saif Ali Khan,Radhika Apte,Chitrangda Singh情圣3
肖央,谭卓,乔杉,常远,张小婉,代乐乐,艾伦,王成思,范湉湉,李思博,刘大锁,冯满,小沈阳,王迅,玛瑙昭和残侠传：唐狮子仁义
高倉健,藤純子,池部良,待田京介,小林千枝,志村喬春闺风月
艾琳·邓恩,加里·格兰特,拉尔夫·贝拉米,亚历山大·达西,塞茜尔·坎宁安,莫莉·拉蒙特,乔伊斯·康普顿,罗伯特·沃里克,玛丽·福布斯,Esther Dale,Robert Allen幕后花絮
牯岭街少年杀人事件
结识小明（杨静怡）前，小四（张震）是典型的乖仔，是父母的希望和兄妹的骄傲（一家人指望他考上名牌大学将来提升全家的社会地位），他有一个喜欢摇滚乐的自称“小猫王（王启赞）”的好友，两人虽会去树林看人幽会，但过的是与周围诸多在“小公园”混的少年人完全两样的生活。 喜欢上小明后 ，小四便像跌进一个无底深渊，开始被外界的各种力量牵着鼻子走。新识仰慕对象honey（林鸿铭）意外身亡，一向敬重的父亲的自尊与精神因为某次事件严重受损，加上将一次次“欺骗玩弄”他感情的小明“看透”，血气方刚又有很强道德感的小四终于走上犯罪的道路，期望用自己的刀结束事件的根源。但小四不知的是，他眼中的根源只是这条食物链中微不足道的一环。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster