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剧情简介
一个决定离婚的男人。没有两个错误!一个决定离婚的男人,一个与他人保持良好关系但仍与她保持良好关系的女人。10年前,我偶然相遇,他们的单身兄弟和朋友们团结起来做爱。组建一个针对朋友的爱的爱心控制小组!她会赢得男人吗?
同类好片
追远寻根
Clare Monnelly,布里·尼·内奇廷,亚历山德拉·比斯特日茨卡娅,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思纳克,格蕾丝·科伦德,Peadar Cox,Jim Cunningham,多萝西·达菲,Marcus Lamb,迈克尔·奥·莱恩,Oisín Ó Maoileoin,Liv O'Donoghue,奥尔加·韦尔利送葬人
道格拉斯·史密斯,卢锡安·拉维斯科特,克雷西达·博纳斯,道格·琼斯,迈克尔·特鲁科,珍娜·凯内尔,埃丽卡·特伦布莱,玛丽莎·埃切维里亚,克利奥·金,费·唐纳薇,凯瑞-安·莫斯,雷·沃纳尔,凯琳·伍黛尔,拉腊·诺克斯,乔纳森·潘内尔,尼古拉斯·萨德勒,玛莎·哈克特,库尔特·岳求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹迷失的欲望
靳圣通拼图杀机
池承炫,李世美,姜其永,杨明宪,英健,方秀衡,姜多贤,宋东焕,元贤俊,박상혁,赵润镐疯狂侏罗纪
梅兰尼·格里菲斯,简·林奇,威廉·鲍德温人气佳作
包宝宝
丹尼尔·凯林,辛迪·劳这个阿爸真爆炸
梁家辉,蔡卓妍,关智斌致命录像带85
弗莱迪·罗德里格兹,詹姆斯·兰索恩,乔丹·贝尔菲,吉吉·索尔·格雷罗,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,马克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛伦西亚·里奥斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜尔要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍赏美津子,吉行和子,藤间爽子,丰岛花,富山绘里子,布施千贺子,高桥努,白本彩奈,宫泽美保导演精选
你好弗里达
影片生动展现了墨西哥传奇女画家弗里达·卡罗的童年生活。好奇心旺盛的弗里达整天和妹妹玩耍,和邻居家的狗做朋友,爬树,在小镇上奔跑,当她拥有人生中的第一本笔记本,就迫不及待的上面涂满色彩斑斓的图画和想法。小儿麻痹症让她卧床不起,但小弗里达毫不退缩,一旦康复,她就会重返街头,展现她旺盛的生命力。
机动战士高达00剧场版先驱者的觉醒
【故事简介】利翁兹·奥马克与天人的战斗以真正的改革者刹那·F·清英等人的胜利拉上了帷幕。独立治安维和部队A-Laws解体,世界终于走向了和平。这样过了两年,西历2314年,表面上消失了的天人为了防止战争发生仍然在暗处活动着,这时,新的战争打响了信号。再次集结起来的高达驾驶员们乘坐着新式高达,开始了战斗!【STAFF】企画:sunrise原作:矢立肇、富野由悠季脚本:黑田洋介人设原案:高河弓动画人设:千叶道德机体设定: 海老川兼武、柳濑敬之、福地仁、鹫尾直广、寺冈贤司、中谷诚一、大河原邦男动画机体设定: 中谷诚一美术设定:须江信人(KUSANAGI)美术监督:若松荣司(KUSANAGI)色彩设计:手岛明美(Wish)音响监督:三间雅文摄影监督:葛山刚士(旭Production)旁白:古谷彻制作人:池谷浩臣(sunrise)、佐々木新(sunrise)监督:水岛精二制作:创通、sunrise
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster