借来的片刻

4.3 播放:79万 更新:2026-04-29

An ex-couple accidentally bumps into each other whenever they visit their dog’s grave on its death anniversary. These chance meetings will later lead to a passionate reunion of the two

播放通道

详细简介

An ex-couple accidentally bumps into each other whenever they visit their dog’s grave on its death anniversary. These chance meetings will later lead to a passionate reunion of the two

同类推荐

寻秦记电影版

古天乐 , 林峯 , 宣萱 , 郭羡妮 , 滕丽名 , 白百何 , 苗侨伟 , 张继聪 , 朱鉴然 , 吴樾 , 洪天明 , 高战 , 邓一君 , 廖启智 , 欧瑞伟 , 陈国邦 , 黄文标 , 蔡一智 , 廖子妤 , 郑雪儿 , 徐伟栋 , 洪天照

  来自21世纪的项少龙(古天乐 饰)曾意外穿越,并助秦王(林峯 饰)一统天下,这段跨越时空的宿命纠缠将两人紧紧捆绑,两人也成为亦师亦友的情感羁绊。然而,在项少龙归隐田园多年后,未知穿越者却骤然降临,大国基业陷入倾覆危机,秦王不得不求助于早已不问世事的项少龙。面对足以颠覆历史的强敌,他们能否放下芥蒂联手抗敌?那段掺杂着师徒之恩、君臣之畏与知遇之情的情感,又将成为保护彼此的铠甲,还是刺向对方的利刃?                        

飞驰人生3

沈腾,尹正,黄景瑜,张本煜,魏翔,沙溢,范丞丞,孙艺洲,段奕宏,张新成,胡先煦,李治廷,白宇帆,周政杰,高华阳,贾冰,王安宇,陈永胜,冯绍峰,郝瀚

 巴音布鲁克最后一站收官后,张驰(沈腾 饰)受邀作为车队主教练征战全新赛事“沐尘100拉力赛”,“野生车手”走上国际舞台!面对高手如云的全新赛道,孙宇强(尹正 饰)、记星(张本煜 饰)一如既往协同作战,林臻东(黄景瑜 饰)等实力车手应邀强势集结,一支凝聚了顶配速度与信念的车队就此成立!然而,张驰发现真正的挑战仿佛并非来自比赛本身,赛场之外暗流涌动,让他们飞驰之路充满变数……

鬼三惊2

萨瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麦克唐纳,辛扎伊·本班尼,Apapattra Meesang

  《尸还魂》血性男子阿良发现女友桂儿和另一个男人波苏搞在一起,愤怒的阿良驾驶机车追赶,结果不慎车祸身亡。葬礼的第三天,平日的狐朋狗友悉数到场,连桂儿和波苏也到场上香,而灵异事件也突然发生。在此之后,众人寻找阿良丢失的手机,阿良的鬼影却接连出现;《献阴琴》某女子教会学校,传说曾有一个为情而死的修女,她死后变成无头女鬼,在夜晚弹着动听的钢琴。而如果虔诚地向他许愿,很快就会梦想成真。但是这也伴随着可怕的危险。充满嫉妒和爱欲的女孩,为情涉入险地;《祭纸扎》纸扎店老板的老婆珠珠外遇归来,对老公大献殷勤。常被欺负的小伙计阿默刚好从网上发现一则车祸消息,而这个消息让他大为震惊!恐怖不眠夜,阴雨连绵。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

昭和残侠传 唐狮子牡丹

高仓健,三田佳子,池部良,津川雅彦

  タイトル : 昭和残侠伝: 唐獅子牡丹(期間限定生産)(生産完了)  出演 : 高倉健/三田佳子/津川雅彦/池部良/芦田伸介/菅原謙二  監督 : 佐伯清  不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の状態に追いやられてしまった榊組の姿だった。左右田組の執拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負い目もあって、榊組を助けることにするのだが…。  高倉健の代表作の一つである「昭和残侠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛情と、敵対しつつも育まれていく男の友情を描いている。監督はシリーズの大半を手がけてきた佐伯清。若き日の高倉健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。