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此时此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奥,田边桃子,Lou Veloso,Buboy Villar,结城贵史职业拳击手神山英次在菲律宾试图东山再起，却始终未能获得比赛机会，转眼已至不惑之年。就在此时，长期失联的女儿桃子突然造访，命运的齿轮由此转动。失去母亲后无处可去的桃子，漂洋过海来投奔父亲。 异国菲律宾的屋檐下，这对父女开始了生涩的同居生活。血缘的羁绊难以轻易填补十余年的空白，两人笨拙地摸索着亲子关系的形状。 女儿身上总带着“另一个自己”的影子，这段充满磕绊却暗藏温情的日常，让曾经视野狭隘的神山逐渐学会环视周遭——塬来注视着他的，不止是桃子，还有更多人的目光…… 当比赛机会奇迹般降临，英次为赢得属于他们的容身之处毅然踏上擂台。这部以拳击为背景的作品，最终讲述的是关于“父”与“子”共同成长的生命物语。
道师爷
梁家仁,林枫烨,楼南光,付赫安琪民国时期，一代奇人关师爷（梁家仁饰）行走江湖，巧遇妖狐作祟，斗法降妖，因此结识了，逢赌必输的叶飞（林枫烨饰），二人联手救人，关师爷斗法妖狐（付赫安琪饰），就此结下不解之缘。此事过后，关师爷巧妙化解青楼缠怨，为死去的冤者伸冤，却再次与怪事缠身的叶飞相遇，于是，上演了一出“叶飞棒打偷鸡贼，黄仙寻仇斗师爷”的故事。
蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明修行千年的寒魄彩蛛蛛儿受佛祖点化化为人形，化身猎妖人下凡，与甘露、芝草、长风携手除魔卫道。蛛儿对甘露情深，却因人妖殊途陷入痛苦。无虚掌门被妖力反噬企图夺其修为，蛛儿为救众人牺牲三千年道行灭魔，最终明白真情所在是芝草。
远足惊魂
塔梅尔·哈桑,芭芭拉·尼德尔加科娃,本·洛伊德·霍尔姆斯,Zara Phythian,Daniel Caren讲述一个从阿富汗的退役的女兵凯特组织了一群年轻美貌的少女到英国乡村业林里探险活动……
绝命孤城
施骏喆,娄宇瑶,徐永革,赵晓明,冯可明朝中叶，西北边城，青楼女子接连被残杀，隐匿线索直指边关军营，神捕白展飞奉命调查，却屡屡受阻，无奈下只得暗中探查。然而当他拨开层层迷雾，竟发现此案潜藏着一场不可告人的惊天阴谋。喋血孤城，命悬一线。（影剧备字〔2023〕第1669号）
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.