列夫·朗道：退变

上天救命

　　麦道梅（曾志伟 饰）人如其名，一生历经坎坷无数，去内衣厂工作就连累企业业绩直线下滑，谈女朋友就被抛弃，连累的三十多岁的家姐至今未嫁。无奈的姐姐拿出了家传的玉镯赠与一事无成的麦道梅，希望帮他转运，抑郁的麦道梅酒后驾车，被人撞下高坡，迷迷糊糊见到了牛头马面，此二鬼卒告知麦道梅阳寿未尽，在王百万、包黛丽、石神三人身亡之后即是他麦道梅之死期……清醒过来的麦道梅马上遇上了被撕票的富翁王百万，而石神便是绑架王百万的案犯之一，而包黛丽则是石神的女友，为了自救，麦道梅试图保护包黛丽和石神，因此卷入了这起绑架案，而石神的妹妹石女（钟楚红 饰）更是令麦道梅心动。未知麦道梅如何自救，又怎样赢得石女芳心？

孤立无援

　　一个被放逐的焦虑不安的居家者必须与一个进入她家的外星人战斗。

惊奇队长

　　在围剿斯克鲁人的战斗中，克里人星际战队成员弗斯（布丽·拉尔森 Brie Larson 饰）不幸成为对方的俘虏。斯克鲁人尝试探究弗斯的记忆，最终发现连弗斯本人都不知道的一段往事，进而也得知名为温迪•劳森博士的女子掌握着他们急于得到的时空引擎。趁对方不备，拥有强大超能力的弗斯摆脱束缚，逃到了代号为C-53的地球，而这里也正是她那段失落的记忆的发生地。未过多久，神盾局探员弗瑞特工（塞缪尔·杰克逊 Samuel L. Jackson 饰）找上门来，而紧随其后的斯克鲁人更是引发了地球人前所未见的大骚动。　　在这一过程中，弗瑞特工意识到事态的严重性，并且帮助弗斯认清本来的自己。倔强的弗斯，终于找到了真正需要保护的东西……

毛骨悚然撞鬼经 2022夏季特别篇

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

孤独症候群

　　An epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.