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剧情提要
江户城一处破烂肮脏的贫民长屋中，住着一群一贫如洗却开朗乐天的穷人。生活在底层的他们，总能找到属于他们的快乐。某天，这群人在松婆（橘田良江暂无内容饰）带领下去越后布店行乞，与店家和保护人发生了激烈却笑料百出的争斗。阿绀（片桐夕子暂无内容饰）袭击了越后屋老板的女儿阿娟（吉野あい暂无内容饰），并穿上对方的和服取而代之。旗本家继承人善本寺新三郎（山本凉暂无内容饰）原定与阿娟相亲，他对此毫不情愿，然而却对阿绀一见倾心，二人坠入爱河。短暂的相处加深他们对彼此的思念，事后新三郎不顾身份悬殊和家人朋友的阻拦，毅然前往长屋寻找爱人……
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梁爽,李正国幕后花絮
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
在乐响舞动时
她是一位国标舞者，却在重大赛事的紧要关头遭遇危机，幸好有位街头舞者挺身而出，不顾自身过往的伤痛，担任她的出赛舞伴。