密林深处
1865年，流浪汉Timothee来到法国南部的一个村子，假装自己是聋哑人住了下来，他被村里一位美丽的女子约瑟芬深深迷住了，为了接近她，他向约瑟芬的父亲休斯医生乞讨，好客的休斯医生果然邀他到家共进晚餐，席间，他耍了一些奇怪的把戏糊弄住了约瑟芬。第二天，趁约瑟芬独自在家时，他溜进房间将约瑟芬催眠，被一种邪乎的力量驱使，尽管约瑟芬对他又厌恶又恐惧，但还是跟随他来到了一片丛林的深处，在这里约瑟芬饱受羞辱和虐待，直到流浪汉被逮捕和审判。让村民们好奇的是，驱使约瑟芬跟随流浪汉前往丛林中的力量到底是什么呢？
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维罗尼卡·莫希雷娃,伊戈尔·别特连科,Fyodor Lavrov,Mikhail Novikov,阿列克谢·舍甫琴科夫,亚历山大·梅乔金,Maksim Saprykin,玛格丽塔·阿布罗斯金,Nikita Abdulov,迪安·迈耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan克里斯蒂
西德尼·斯维尼,本·福斯特,梅里特·韦弗,凯蒂·M·奥布莱恩,托尼·卡瓦勒罗,伊桑·恩布里,查德·科尔曼,杰西·加伯,迈尔斯·穆森登,比尔·凯利,阿尔特·纽柯克,史蒂芬妮·鲍尔,考特妮·格蕾丝,凯文·J·奥康纳,阿德里安·洛克特,阿里莎·康纳,科尔曼·佩迪戈,布莱恩·希巴德,塔玛拉·霍普金斯,斯蒂芬·罗亚尔·菲利普斯召唤蓝宝宝
瓦莱丽亚·圣马丁,贾斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鲍姆调味的房子
西恩·帕特维,安娜·沃尔顿,罗希·戴,凯文 霍华斯,杰玛·鲍威尔,丹尼尔·维维安,阿德里安·布薛特,Christopher Rithin,肖恩·克罗宁无限：未知对象
托莉·巴特勒-哈特,伊恩·麦克莱恩,康勒斯·希尔,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart老人与猫
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数码宝贝大电影五：冒险者的战斗
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太快乐的暑假开始了，启人（津村真琴 配音）为了扫墓来到了风光秀丽的冲绳，在海边，他和阿海（佐伯鹏 配音）一起救下了一位名为美波（三石琴乃 配音）的少女，后者遭到了数码兽的攻击，这些数码兽的目标，似乎是美波所携带的一台笔记本电脑，在电脑里究竟隐藏了怎样的秘密？让启人感到意外的是，美波的遇险催生了数码宝贝石狮兽（津久井教生 配音）的诞生，它的使命为何？ 启人发现，在风靡全球的电子宠物V-Pet背后，隐藏着一个惊人的秘密，贪婪邪恶的曼法斯兽企图通过虚拟的数码兽摧毁人类世界，实现它建立数码世界的野心。面对强大的对手，启人和朋友们该何去何从？
杀手护士
米娅·查利斯,乔内塔·凯泽,罗布·梅耶斯当一名护士同事在神秘的情况下死亡后，两名巡回护士必须拨开医院里重重秘密迷宫，才能揭露凶手。
日出1927
乔治·奥布莱恩,珍妮·盖诺,玛格丽特·利文斯顿,波蒂尔·罗辛,J·法瑞尔·麦克唐纳,Ralph Sipperly,简·维顿,阿瑟·豪斯曼,Eddie Boland,赫尔曼·宾 ,西德尼·布雷西,基诺·科拉多,Vondell Darr,萨利·艾勒斯,吉布森·格沃兰德,Fletcher Henderson,Thomas Jefferson,鲍勃·科特曼,F·W·茂瑙,Barry Norton,罗伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奥·怀特,Cla盛夏的度假时节，一位城市女人来到乡下滞留，这期间，城市女人诱惑了当地的农夫并教唆他杀死自己的妻子（Janet Gaynor 饰）以便贩卖掉农庄后私奔。被迷惑了心窍的男人早已忘记了那些同妻子共处的纯美时光，他将妻子带到河面蓄谋加害，却在要下毒手时幡然悔悟，伤心的妻子踏上了进城的列车，男人穷追不舍一同抵达城市。城市里真正是一片花花世界呵，这对夫妻在街上游走玩乐，在那些小小的玩笑中，甜蜜的冒险中，他们又找回了爱情的美妙共鸣……和好如初的两人返回乡村，不料却在归途遇上了肆虐的风浪……本片是德国导演茂瑙赴美发展后拍摄的第一部作品，曾被多家权威媒体评选为默片最佳杰作之一，获第一届奥斯卡最佳女演员、摄影等多项褒奖。
米纳里
史蒂文·元,韩艺璃,达里尔·考克斯,威尔·帕顿,尹汝贞,蒂娜·帕克,斯科特·黑兹,艾伦·S·金,Laurie Cummings,埃里克·斯达克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan故事发生在20世纪80年代的美国，美籍韩裔男子雅各布（史蒂文·元 Steven Yeun 饰）带着妻子莫妮卡（韩艺璃 饰）和两个孩子大卫（Alan S. Kim 饰）、安妮（Noel Cho 饰）一起从熟悉的西海岸搬到了偏僻而又陌生的阿肯色州。虽然对于丈夫的这一决定，莫妮卡的心中十分的反对，但她拗不过雅各布的坚决和顽固，只得被迫夫唱妇随。蛮荒之地的生活既不舒适也不有趣，在最初的新鲜感过去之后，大卫和安妮很快就开始怀念起过去的生活了。之后，孩子们的外婆也来到了他们的身边，给这个家庭带来了一丝热闹的气息。雅各布没有发现的是，当他将越来越多的时间和精力投入到开发农场这件事情上时，他和妻子之间的距离就越来越远。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.