剧情纵览
生物学家仓木直人(田崎敏路 饰)和女友十条小夜子(吉行由实 饰)前往亚马逊丛林探险,他们在当地抓住一种奇怪生物,虽有当地巫师的警告,但混乱中奇怪生物仍然进入小夜子的体内。她从此成为怪物的傀儡。 一年后的日本,五个青年男女:桐山沙希(内山沙千佳 饰)、赤羽玛丽(三津なつみ 饰)、御影凉子(薰樱子 饰)、大宫广志(奥本东五 饰)和与野阿基拉(冈田智宏 饰)来到山中游玩,他们落脚于一个废弃的水产试验场。不经世事的男女无意中惊醒了正在沉睡的小夜子(怪物),一场暗夜杀戮随之展开
生物学家仓木直人(田崎敏路 饰)和女友十条小夜子(吉行由实 饰)前往亚马逊丛林探险,他们在当地抓住一种奇怪生物,虽有当地巫师的警告,但混乱中奇怪生物仍然进入小夜子的体内。她从此成为怪物的傀儡。 一年后的日本,五个青年男女:桐山沙希(内山沙千佳 饰)、赤羽玛丽(三津なつみ 饰)、御影凉子(薰樱子 饰)、大宫广志(奥本东五 饰)和与野阿基拉(冈田智宏 饰)来到山中游玩,他们落脚于一个废弃的水产试验场。不经世事的男女无意中惊醒了正在沉睡的小夜子(怪物),一场暗夜杀戮随之展开
阿克曼博士是当地一所大学的生物老师,他在被不明飞行物追赶时遇到了意外的死亡。韦斯利,他的一个学生,在吸引女性方面有困难。这一切都发生了变化,当Xenobia女士接管了阿克曼的课程,并说服卫斯理参加一些维生素研究,她和她的助理Drax正在进行。突然,韦斯利变得很有魅力,尽管在兴奋的时候,他的脑袋里长出了肉质的天线。他新发现的成功可能会疏远他真正关心的那个女孩(Leeanne),而Xenobia的动机可能与她不是这个地球的事实有关。
The persona of a celebrated author is threatened when her best friend and muse reveals the dark secret behind her first novel's provenance, igniting an incendiary tale of sex, lies and betrayal.
著名电台女主播萧潇雅(辛芷蕾 饰)在结婚前七天,因亲眼目睹名作家未婚夫李明轩与前女友许嘉雯(何佩瑜 饰)偷情,萧萧雅忍受不了背叛出轨的伤痛而自杀,幸被抢救复生,男友李明轩却坠楼身亡……是自杀还是他杀还没有揭晓真相,李明轩的前女友许嘉雯却又死于非命,李明轩的弟弟李明炎(张 哲瀚 饰)一直对哥哥的死觉得离奇,经调查发现偷情背叛事件出自许嘉雯和薛威(于毅 饰)策划的,在真相还没有大白前,薛威也相离奇死亡……谁是幕后真凶?是阴阳两隔的恋人的疯狂复仇?是横刀夺爱者的杀人灭口?还是宿命在爱情开始的一刻早已注定?
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster