聊斋艳谭之幽媾 聊齋艷譚之幽媾 (1997)

★ 8.4 播放:40万 更新:2026-04-30

莺莺、小梅和苗苗是王母娘娘所养的三只玉兔,彼此之间感情十分要好。天庭的生活十分无聊,不甘寂寞的莺莺幻化成人形偷偷下凡,遇见了名为陆福的男子,两人一拍即合,结尾了夫妻。莺莺的出走让王母娘娘大为火光,派出了天神下凡,惩戒不知好歹的莺莺。 担心姐妹的安危,小梅抢先一步来到人间,随即遭到了天神的追杀,所幸遇见了名为玉书的男子,才逃过一劫,小美和玉书之间因此产生了真挚的感情。之后,苗苗亦重蹈了两位姐妹的覆辙,在人间找到了真爱,三姐妹终于在人间团圆。此时,冷酷无私的铁面判官出现了,三姐妹的命运,全都掌握在他的手中。

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剧情简介

莺莺、小梅和苗苗是王母娘娘所养的三只玉兔,彼此之间感情十分要好。天庭的生活十分无聊,不甘寂寞的莺莺幻化成人形偷偷下凡,遇见了名为陆福的男子,两人一拍即合,结尾了夫妻。莺莺的出走让王母娘娘大为火光,派出了天神下凡,惩戒不知好歹的莺莺。 担心姐妹的安危,小梅抢先一步来到人间,随即遭到了天神的追杀,所幸遇见了名为玉书的男子,才逃过一劫,小美和玉书之间因此产生了真挚的感情。之后,苗苗亦重蹈了两位姐妹的覆辙,在人间找到了真爱,三姐妹终于在人间团圆。此时,冷酷无私的铁面判官出现了,三姐妹的命运,全都掌握在他的手中。

导演精选

风车小骑士

"Giants of La Mancha" is an extraordinary and adventurous journey for the whole family, following 11-year-old Alfonso, heir to Don Quixote, and his three imaginary rabbits, which are joined by Pancho and Victoria. With their power of friendship, they save their beloved hometown somewhere in La Mancha from a huge storm.. They dream the impossible dream, overcome their fears, and use their imagination to find the real force behind the storm.

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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