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剧情提要
美丽的女警深入黑道调查毒品案件,与黑道中人发生的的爱情故事!
暗夜精选
扭曲
克里斯蒂娜·里奇,布兰登·弗莱彻,维斯勒·夏农,约翰·库萨克,妮科尔·安东尼,奥利弗·莱斯,斯科特·奥林克,安杰拉·奎恩,巴里·纳林,朱丽娅·马克斯维尔,马特·布朗把家虎
康琳浠,袁家骏,答有为,张原荣,王艺欢,赵鹏,王旭,梁栋,张婷,曹皓程,郭炫辰,杜俊峰,李凯武,蒋镇泽,蒋镇阳,岳建刚,杨恩全天山玉女剑
黄秋燕,温兆伦,杨丽菁,关秀媚,汤镇业,惠英红,关海山征服者2025
阿克夏耶·坎纳,马达范,兰维尔·辛格,桑杰·达特,阿俊·拉姆鲍,阿哈娜·卡姆拉,莎拉·阿尔琼,拉詹德拉纳斯·祖特施平原上的迷途
菲利波·斯科蒂,塞尔吉奥·罗马诺,皮耶尔保罗·卡波维拉,罗伯托·西特兰,安德里亚·彭纳基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina索命舞娘
麦迪·齐格勒,拉娜·康多,艾瑞丝·阿帕托,阿凡提卡·万达纳普,米利森特·西蒙兹,乌玛·瑟曼,莉迪亚·伦纳德,迈克尔·卡尔金,Kate Freund,克里斯蒂安·恰克瓦里,加博尔·纳吉帕尔,Julian Krenn,沙哈布·鲁巴达,鲍拉日·迈杰里,贝拉·奥尔萨尼,弗朗西斯·麦克伯尼,亚当·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet旁观者2025
陈坤,王砚辉,刘敏涛,容中尔甲,安泽豪,陈依莎,单禹豪,王劲松,陆玲,王雯那,姜颖函同系列推荐
校园鬼
韩艺璃,金花雨,申智秀,朴元尚,李钟硕死亡回放
海莉·毕晓普,阿默·查达·帕特尔,Maya Graham,Malik Ibheis,扎基·乔吉,Teddy Linard,杰玛·摩尔,斯克鲁比斯·皮普格斗家·父爱无声
周惠林,白予晴,周小伟,张聿公子娇
伊雷,雪梨,周聪,刘克宣七月返归
白灵,太保,谭玉瑛,伍咏诗,周祉君,沈殷怡,黄梓乐圣诞日记
贾斯汀·哈特雷,巴莱特·道斯,艾森斯·阿特金斯,邦妮·比蒂丽娅,詹姆斯·瑞马尔,安德里娅·舒,Vivian Full,杰夫·科贝特,亚伦·科斯塔·加尼斯,Lauren Yaffe,Jacob Mackinnon,Alexander Blaise,Samantha Smart,Baylen D. Bielitz,Sophia Carlin,Patrick K. Dooley,史蒂夫·安托努奇,Christopher Watts幕后花絮
判妖邪
残唐乱世,瘟疫横行,传言妖女吴双化为邪祟祸害人间。然而,吴双的哥哥不良人吴令,从不相信自己善良的妹妹会是所谓妖女,他决心以缝尸还魂的秘术,复活被斩首的妹妹,在暗影涌动的瘟神庙中,设下诡局,审判真正的恶人,求一份清白与公道。 影片根据短篇小说《古庙夜谭》改编。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster