吻你想吻的人

评分:3.0 播放:13万 更新:2026-04-27

几对法国夫妇,为了为期一周的度假费心准备,然而短暂的假期带给他们的并不是快乐,人性的自私、虚伪与荣耀在此展露无遗,一场荒诞可笑的人生闹剧也由此开始  

剧情简介

几对法国夫妇,为了为期一周的度假费心准备,然而短暂的假期带给他们的并不是快乐,人性的自私、虚伪与荣耀在此展露无遗,一场荒诞可笑的人生闹剧也由此开始  

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分裂: 黑色子弹

山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凯伦·霍尔尼斯,多隆·贝尔,Porsha Pointner,莎伦·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凯利

  对警察枪击、种族主义和他们共同的联系进行原始的、毫无歉意的审视。没有说明我们知道答案,但不害怕直接提问。

误色

Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司马优

  现在是2003年,国际武器核查员泰德·凯勒(马修·吉利亚姆)在美国入侵伊始就在伊拉克工作。在调查一个未被发现的武器藏匿处时,他发现了一个可疑来源的生物制剂,他很快意识到这种生物制剂已经危及他的生命。撞倒在地,他危险的轨迹与美丽的国会援助伊莲娜·波佩斯库(拉维尼娅·波波拉切)相撞,后者发现自己被自己的危险包围着。他们联合起来,被迫质疑一切,同时努力比那些希望他们沉默的人领先一步。

寻秦记电影版

古天乐 , 林峯 , 宣萱 , 郭羡妮 , 滕丽名 , 白百何 , 苗侨伟 , 张继聪 , 朱鉴然 , 吴樾 , 洪天明 , 高战 , 邓一君 , 廖启智 , 欧瑞伟 , 陈国邦 , 黄文标 , 蔡一智 , 廖子妤 , 郑雪儿 , 徐伟栋 , 洪天照

  来自21世纪的项少龙(古天乐 饰)曾意外穿越,并助秦王(林峯 饰)一统天下,这段跨越时空的宿命纠缠将两人紧紧捆绑,两人也成为亦师亦友的情感羁绊。然而,在项少龙归隐田园多年后,未知穿越者却骤然降临,大国基业陷入倾覆危机,秦王不得不求助于早已不问世事的项少龙。面对足以颠覆历史的强敌,他们能否放下芥蒂联手抗敌?那段掺杂着师徒之恩、君臣之畏与知遇之情的情感,又将成为保护彼此的铠甲,还是刺向对方的利刃?                        

竞时出击

王韬,魏小欢,江佳桐,李江瑶

刑警沈佳明、吴艳和康业在破获一宗跨国重案后,卷入一系列离奇命案。首名死者孙成刚车祸身亡疑点重重,随后女子孔思思也遭遇不测。警方发现两名受害者均与医院器官捐献系统存在关联,而医院器官捐献协调员糜芳、医生马玉茹以及等待器官移植的罗永军兄妹皆被卷入漩涡。就在刑警们分头追凶时,第三名潜在受害者已危在旦夕。吴艳与时间赛跑,阻止了一场高空谋杀,却发现真凶竟藏于最意想不到的身边。

七月寒潮

迈克尔·C·豪尔,山姆·夏普德,唐·约翰逊,凡妮莎·肖,怀亚特·拉塞尔

  出于自卫,理查德射杀了侵入自己家中的陌生人。但是他不得不面对死者父亲的残忍报复。然而不久,敌对双方就发现事实并不像表面展现的那么简单,他们不得不联合起来面对黑暗的真相。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

新年伊始 不合适也要有个限度!~不能认真聊聊吗?~

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