爱的两副面孔
这是一个有趣的名不见经传的希腊变态的性喜剧，蕴涵着丰富的性别、 一些丑闻和轻度戈尔的好措施，简短一点。 埃莱安娜 (安娜 Fonsou 饰) 是一个妓女看上去年轻时受到虐待的人。期间她日常的接触，与各类客户，她遇到了年轻的劳动者称为克里斯托谁她短暂地试图发展与正常的关系。旧习难和她很快又打街头但就太晚了，克里斯托已成为迷恋埃莱安娜和打算娶她。渐渐地，压力和紧张的形势开始采取它的收费对埃莱安娜的理智和导致了超现实主义的梦魇的高潮。
在线看
同款热播
蓝眼睛米奇
休·格兰特,詹姆斯·肯恩,珍妮·特里普里霍恩,乔·维特雷利米歇尔•法尔盖特（休•格兰特 饰）经营一间拍卖行，他是个温和的英国人，拍卖行的生意一向很好。他感觉成家的时候到了，便向他最爱的女友吉娜（詹姆斯•凯恩 饰）结婚。可是吉娜对结婚一词十分抗拒，她不愿意跟米歇尔结婚。这样使米歇尔疑惑极了，他认为女友是十分爱自己的，为何不能从此一同生活呢？ 直到后来，他才明白了吉娜的苦心。原来吉娜的父亲是一名黑帮老大，深爱着米歇尔的吉娜不愿自己的丈夫被卷进复杂的黑帮环境中。就算米歇尔向吉娜保证自己不会牵涉进去那些麻烦当中。 可是事情并不如人意，他还是因为这个黑帮岳父惹来了很多麻烦，甚至被警察调查。从此，米歇尔也莫名其妙的成为了黑道中人……
绝种铁金刚
梁家辉,毛舜筠,陈小春,钟欣潼,陈冠希,田朴珺著名影星詹二帮（梁家辉饰）常常出演一些英雄类人物的角色，但现实生活中却胆小如鼠，使深爱的妻子曼琼（余安安饰）离开了他，自此他便跟两个女儿忌廉（钟欣桐饰）与脆皮一起生活了。 铁男（陈小春饰）与Janet（田朴珺饰）均是国际刑警，得知恐怖分子龙一（徐锦江饰）将到香港去取另外的生化武器，在香港与恐怖分子交手的过程中，误入了二帮的家里，铁男被注射了智力退化的病毒，智商只有4岁儿童的程度。曼琼从好莱坞回来打算跟二帮商议合作的事情，却遭到恐怖分子的闯入，他们得知丢失的病毒就在二帮家中。 在与恐怖分子斗争的过程中，二帮为了女儿为了前妻，显现出以往少有的勇敢才智，顺利抓拿犯罪分子以为，还赢回了家庭团员。
致命录像带3：病毒
Carrie Keagan,Justin Welborn,杰西卡·卢扎,兰迪·麦克道维尔,Emilia Zoryan,Emmy Argo,Michael Aaron Milligan1）魔术师但丁依靠神秘的斗篷在时尚都会挣下超高的人气，但是斗篷中藏着可怕的秘密，但丁则用录像记录下了一切。直到某天助理斯卡莉特将录像带交给警方，一切昭然若揭；2）野生科学家阿方索制造了一个连通平行空间的大门，他和另一个世界的自己交换空间，到对方的世界进行15分钟的探险，却发现彼此的世界有着天壤之别。3）三个热衷做极限运动的年轻人偶然来到一处画着神秘图案的场所玩耍，不知不觉中遭到一群恐怖之人的包围和袭击；夜幕下的城市突然响起刺耳的警笛声，警方和疯狂逃跑的冰淇淋车展开夺命追逐。卡文和女友艾瑞丝外出张望，谁知一转眼艾瑞丝竟消失不见，卡文疯了一般四下寻找。现代化的社会，人们依赖影像大刷存在感，却都变成了转瞬即逝的数据碎片……
幽灵鬼屋
勒凯斯·斯坦菲尔德,罗莎里奥·道森,欧文·威尔逊,蒂凡尼·哈迪斯,丹尼·德维托,杰米·李·柯蒂斯,蔡斯·W·狄龙,杰瑞德·莱托,J·R·阿杜西,克里克·威尔逊,本·布莱顿,林赛·兰姆,查丽蒂·乔丹,费多尔·斯蒂尔,特伦斯·罗斯摩尔,迈克·贝尼特斯,埃里卡·科尔曼,克里斯托弗·温彻斯特,乔·科伊,格拉伦·布莱恩特·班克斯,玛丽露·亨纳尔,史蒂夫·齐西斯,安德鲁·莫尔加多,尼科·戈麦斯,库尔特·岳,哈桑·明哈杰,丹·列维,埃里克·罗温,塞巴斯蒂安·苏戴斯,特蕾西·古德,卡姆兰·谢赫,薇诺娜·瑞德,罗伯特·廷斯影片灵感来自迪士尼乐园同名游乐设施，“在一个让人不寒而栗的鬼屋中进行一趟令人毛骨悚然的旅行，有幽灵、食尸鬼和超自然力量带来的惊吓”，聚焦一个搬进了这栋豪宅的家庭。
灵殇
奥古斯特·维特根斯坦,阿尔玛·特尔齐奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez亚历斯和莎玛是一对年轻恋人，他们于前往波斯尼亚与赫塞哥维纳中心时车子抛锚在森林里，他们决定向附近的村庄求援。路上，巴尔干战乱的穆斯林幸存者莎玛，开始怀疑有神秘力量追高清在跟着他们，而自信、快乐的年轻欧洲人亚历斯，试图让莎玛甩开这些胡思乱想；但莎玛紧握着她的穆斯林护身符「哈麦利亚」不放，导致神秘力量从森林里逐渐浮现…
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.