可疑的美容院
两个漂亮好姐妹合伙开发廊店。平时生意冷淡，只好双腿夹著枕头，打盹做春梦，并脱下内裤自慰著....。为了招来客人，她们决定将裙子拉高点，露出亵裤，低胸前挤一挤，露出乳房，任客人抚摸玩弄，为所欲为。暂无内容她们用自己的肉体本钱，娇丽脸蛋，配合两人奶大臀凸的阿娜身材，作为引诱客人工具，这是多麽美好主意。当然瞬时招蜂引蝶，宾客满座，许多好色男子来剪发，任其摸臀吻乳的轻薄，没关系，那是多麽快活快感，连没头发的凸头男子，也赶著来剪发。暂无内容她们相信，只要抓住男人的心，给他们爽快性满足，就能发大财。此时，她们遇到两兄弟，他们长相英俊，是公司部长老板，但个性迥异。发姐两人极力投怀送抱，献身性爱，两兄弟是是她们生财救星，或是一场奇妙空幻春梦....
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剧情提要
两个漂亮好姐妹合伙开发廊店。平时生意冷淡，只好双腿夹著枕头，打盹做春梦，并脱下内裤自慰著....。为了招来客人，她们决定将裙子拉高点，露出亵裤，低胸前挤一挤，露出乳房，任客人抚摸玩弄，为所欲为。暂无内容她们用自己的肉体本钱，娇丽脸蛋，配合两人奶大臀凸的阿娜身材，作为引诱客人工具，这是多麽美好主意。当然瞬时招蜂引蝶，宾客满座，许多好色男子来剪发，任其摸臀吻乳的轻薄，没关系，那是多麽快活快感，连没头发的凸头男子，也赶著来剪发。暂无内容她们相信，只要抓住男人的心，给他们爽快性满足，就能发大财。此时，她们遇到两兄弟，他们长相英俊，是公司部长老板，但个性迥异。发姐两人极力投怀送抱，献身性爱，两兄弟是是她们生财救星，或是一场奇妙空幻春梦....
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几个年轻时怀揣街舞梦想的青年，多年后经历了人去人走、世故变迁，怀着对朋友的怀念，怀着对未来的憧憬，又重拾了自己年轻时的梦想，用舞蹈诠释了人生态度……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.