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剧情简介
小学朋友敏秀，宇贤和智英是亲密的朋友，即使他们老了也总是在一起。 Minsu喜欢Jiyoung，但凭直觉知道她的密友Woohyun喜欢Jiyoung。 犹豫不决。 然后有一天，意外地与智荣一起过夜的敏秀很高兴能告诉伍贤这件事，但好像什么都没有，伍贤告诉他她要和智荣睡觉，智荣认为这没什么大不了的。 在坚强的友谊和爱之间挣扎的三个年轻人的故事才刚刚开始。
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波伊德·霍布鲁克,克利欧佩特拉·科尔曼,博基姆·伍德拜因,迈克尔·C·豪尔,鲁迪·达马林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代尔,瑞秋·凯勒,Ryan Allen,托尼·纳波,Philippa Domville,托尼·克雷格,加布里埃尔·格雷厄姆,Julia Knope,默里·弗罗,大卫·麦金尼斯,德尔菲娜·鲁塞尔,胡安·卡洛斯·韦利斯,泰德·麦克马洪,爱德华·伦德尔,妮卡·埃利奥特最后的吸血鬼
工藤夕贵,中村佐恵美无法在你的脸上哭泣
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Luisana Lopilato,Cristina Castaño,Juan Minujín端岛计划
苏查·玛娜英,阿萍雅·萨库尔加伦苏,吴翊歌,亚历山大·伦德尔犬之力
本尼迪克特·康伯巴奇,克尔斯滕·邓斯特,柯蒂·斯密特-麦菲,杰西·普莱蒙,托马辛·麦肯齐,基思·卡拉丹,弗兰西丝·康罗伊,吉娜维夫·莱蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛维,爱丽丝·恩格勒特,Yvette Reid,斯特芬·劳瓦特,瓦季姆·列多戈罗夫,朱莉·福塞斯,彼得·卡罗尔,艾莉森·布鲁斯,大卫·T·林,亚当·比奇,Ramontay McConnell,Max Mata,Ken Radley人气佳作
玩命魔术
林更新,刘添月,刘家辉,午马,周放宝塔镇河妖之诡墓龙棺
彭愚厶,曾妮,何其炜,王怡雯,郭野,周升安妮·霍尔
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大明嫔妃之选秀
皇太子争选太子妃，兰心本有所爱，却不得不进到太子府，因为才华出众，深得皇太子和纪淑妃的喜爱，兰心被嫉妒和排挤，在太子府里受尽磨难！ 其实一切阴谋都是秀女姚芊芊设计的，姚芊芊是万贵妃的人，自己参选秀女就是为了接近太子，协助万贵妃铲除太子，虽然她心中也另有所爱，但不得不去争选太子妃，铲除一切阻碍自己当上太子妃的秀女。 姚芊芊陷害兰心通奸，差点害的兰心被赐死，关键时刻兰心被梅儿所救。几日后公布太子妃人选之时，纪淑妃为了顾全大局，还是让姚芊芊当上了太子妃，姚芊芊十分痛苦内心挣扎，兰心、梅儿、金碧瑶当上侧妃，大家各怀念想……。
孩子们安好
多年以后，苏珊和她的两个孩子意外地出现在她姐姐珍妮的家中。起初看起来像是苏珊在试探性地试图重新与姐姐建立关系。但随着晨光的出现，这种幻觉破灭了：苏珊消失了……内森·安布罗西奥尼的这部亲密电影，描绘了一位被迫成为母亲的女人，而她对自己的孩子几乎一无所知。他那极简主义的叙事方式，却充满了深刻的共情，让观众得以观察这个新生家庭逐渐凝聚的缓慢过程，以及他们内心的恐惧与犹豫，还有那毫无效率的国家机器的荒谬之处。这是一部法国电影，它反映了因必要性而产生的共同生活本质的脆弱性，以及当它源于爱时，它会变得多么强大。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.