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剧情简介
EVA,象征了一切女性主义的胜利,自我觉醒,自我实现,并且无视世俗的审判。她从始至终都是美丽的女人,但比起开初的美丽而束缚的上流家庭主妇而言,作为一个愤而出走的SM的妓女的她更为美丽,而最后她和好友被赶出酒吧却一起坐在街上开怀大笑,我才发现她是这个世界上最美丽的女人。因为比起身体在x愛上和窥视上的自由,精神超脱......
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
意乱情迷
《锯齿状心灵》讲述的是一个女人被昏迷和奇怪的幻觉所困扰,她发现自己被困在了一系列的时间循环中,这可能与她神秘的新女友有关。