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琼·拉斯皮尤尔头颅游戏
Carly Steel,莱昂纳德·罗伯茨,杰咪·希尔,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison黎娜需要爱
艾米利亚·舒勒,雅尼克·许曼,Kyra Sophia Kahre万世英雄
查尔顿·赫斯顿,索菲娅·罗兰,雷夫·瓦朗,吉内瓦维·佩吉,约翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲尔德,马西姆·塞拉托,弗兰克·思林,迈克尔·霍尔德恩,安德鲁·克鲁克香克,道格拉斯·威尔默,托里奥·卡米纳提,拉尔夫·杜鲁门,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齐,芭芭拉·埃弗里斯特,尼里奥·贝尔纳迪,赫伯特·罗姆,欧米洛·康帕纳,Antonio Mayans,保罗·穆勒,保罗·纳什,欧露莎尔芭·奈丽,维尔吉里奥·特谢拉柏林危机
汤姆·弗拉席亚,玛莎 莱奥妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基达·拉马丹,蒂姆·维尔德沉默的镜像
蒂莫西·赫顿,费尔南多·古林·库弗,米格尔·安赫尔·西尔维斯特同类推荐
毛骨悚然撞鬼经 2025夏季特别篇
小栗旬,上野树里,冈田将生,佐藤健,绫濑遥,石原里美,出口夏希放送作品 黄泉の森（2004年） 行きずりの紊乱者（2004年） 右肩の女（2012年） 顔の道」2009年） 怨みの代償（2009年） S銅山の女（2014年） 或る訳ありの部屋（2025年）
恐怖列车
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格罗瑞亚·沃特西斯,Todd Jensen,Vladimir Vladimirov五名美国业余摔跤选手艾历克斯（Thora Birch 饰）、托德、克莱尔、威利、谢尔顿，在教练带领下远赴东欧参加摔跤比赛，虽然他们输掉了比赛，但当晚仍兴致勃勃参加了派对，以致耽误了第二天开往敖德萨的火车，由于语言不通，他们一时买不到车票，一位说英语的金发女郎出现，带领他们登上了车站内的一列红色火车。 甫一上车，队员们的护照便被形容猥琐的男乘务员收去，这列经过改装的列车上赌场、餐车、休息室一应俱全，队员们很快远离其他语言不通的乘客，躲在休息室玩起了真心话大冒险，然而在游戏进行的过程中，托德消失在列车尾部，其他队员也一一失踪，艾历克斯很快发现，她要独自面对车上的几个活体器官摘除者……
海绵宝宝：深海大冒险
克兰西·布朗,马克·哈米尔,汤姆·肯尼,布莱恩·道尔,比尔·法格巴克,劳伦斯先生,埃丝·史佩斯,罗德格尔·邦帕斯,卡罗琳·劳伦斯,道格拉斯·泰特,卡拉·三子,詹姆斯·亨特,Tammy Davis,Arthur Waite,布莱恩·科菲,Leonel Garza,Scott Frenzel,Melissa Kaye Bontempt,阿拉娜·菲利普为了证明自己不再是“小不点”，海绵宝宝下定决心，要向蟹老板展现他真正的勇气。 他毅然决然追随那位神秘的、纵横四海的幽灵海盗——“飞天魔鬼”，开启了一段惊心动魄、颠覆想象的深海大冒险！这段旅程将带他闯入深海禁区，见证海绵从未触及的神秘世界！
对鱼的布道
拉纳·阿斯加洛娃,奥尔汗·依斯干达里,侯赛因·纳西罗夫达武德从战争中归来，发现他村里的每个人都死于一种奇怪的疾病并且已经腐烂。 他的妹妹是唯一的幸存者，也正在慢慢腐烂。 达武德被他作为一名士兵的记忆所困扰，因为他面临着唯一真正的问题：生存和生活一样吗？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.