普索伊 Pusoy (2022)

2.9 播放:28万 2026-04-29

Popoy works as a bodyguard to gambling boss Rodolfo. But when they killed the son of a politician, they need millions for protection. And when money is at stake, no one is an ally.

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限时营救2025

凯特·贝金赛尔,刘易斯·陈,艾丽丝·克里奇,汤姆·班尼特,贝利·帕特里克,拉斯穆斯·哈迪克,马特·威利斯,Roxy Striar

  Follows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.

智勇三宝

许冠文,吴耀汉,陈百祥,岑建勋,陈国新,叶荣祖,午马,林国斌,叶德娴,胡因梦,陈欣健

  一次偶然中,阿秋(吴耀汉 饰)和贝多芬(岑建勋 饰)结识了犯罪调查专家阿文(许冠文 饰),志同道合的三人成为了很好的朋友。然而阿秋和贝多芬的真实身份系大盗,两人和阿文正邪不两立,而阿文对此并不知情,三人的关系在摇摇欲坠之中维系着艰难的平衡。  某日,阿文在商场里撞见了自己的妻子杜白莉(胡茵梦 饰)正在和珠宝富商阿杨(翁世杰 饰)约会,遭到了背叛的阿文感到十分愤怒,决定对阿杨进行报复。阿文驾驶着自己的机车要和阿杨的豪车一决高下,哪知道遭遇了车祸,不仅自己受伤,坐骑也报废无法再骑,窘迫的时刻,阿秋和贝多芬及时出现,替阿文解了围。

重返寂静岭

杰瑞米·艾文,汉娜·艾米莉·安德森,艾维·坦普尔顿,罗伯特·斯特兰奇,皮尔斯·伊根,尼科拉·亚历克西斯,伊芙·麦凯林,朱莉娅·佩拉加蒂,埃米莉·卡丁,玛蒂娜·理查兹,霍华德·萨德勒,马迪奥·帕斯奎尼,梅丽莎·格雷厄姆,劳拉·杜鲁,卡莉亚·杜鲁,斯拉维萨·伊万诺维奇,阿拉娜·玛丽亚,塔玛拉·里斯托斯卡,贾斯珀·沙龙,桑迪·E·斯科特

 在爱人神秘信件的召唤下,詹姆斯(杰瑞米·艾文 饰)重新回到了充满着秘密和诡谲的寂静岭。但当他踏入这座小镇的那一刻却开始了无尽极限逃生模式:永不停歇的防空警报撕裂耳膜,漫天余烬笼罩大地,熟悉的街道扭曲成噬人的迷宫,三角屠夫、无脸血腥护士、未知诡异生物无处不在,步步紧逼。现实与幻象在寂静岭彻底崩塌,詹姆斯一边躲避致命追杀,一边试图用破碎的记忆拼凑出真相。

狄仁杰之通天浮屠

罗立群,许翔,张婉琳,侍宣如

唐载初年,位于郊外校场倒塌的通天浮屠残骸一夜之间复活。天空中一条火龙照亮夜空,并喷射火球摧毁了整个校场,死伤无数。随后通天浮屠也燃起大火,化为灰烬。而异族鬼道在城外叫嚣,只有武则天效仿大佛自焚,天下才可免受灾难。城中内外人心惶惶,狄仁杰奉命彻查此案,却遇到了与自己有过节的大理寺少卿裴东升。二人不打不相识,被迫一起调查此案。面对外敌的入侵,队友的不信任,狄仁杰决心背水一战,势要查明案件的真相。

赌侠大战拉斯维加斯

刘德华,张家辉,陈百祥,林熙蕾,郁芳,万梓良,李菲,王晶,南燕

  合力击败马交文之后,king(刘德华 饰)与化骨龙(张家辉 饰)联合化骨龙的表哥阿叻(陈百祥 饰)骗取了恶人大眼文一笔钱。当他们打算享受一番之际,大眼文把化骨龙抓走了。King与阿叻则被警方带到与中方高层见面,他们被派往拉斯维加斯捉拿大老千Peter朱(万梓良 饰)。为了得到巨款拯救化骨龙,king接受了这次任务,前往拉斯维加斯。  在拉斯维加斯,小心(郁芳 饰)与阿扁(林熙蕾 饰)一心想找到金龟婿,后来加入了king的老千行列。终于他们遇到了Peter,两人互相欺骗更多次交手,敌意渐生。  King用阿扁做饵勾引Peter成功,他们经由沙漠公路到洛杉矶,途中Peter极力逃脱。众人在沙漠奋力搏斗。Peter的手下竟然用直升机拯救,幸好king神机妙算,顺利把Peter带回香港。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster