荒淫的唇
日本经典影片《痉挛》2004，年届30的自由摄影师木岛实（佐々木ユメカ 饰）与某杂志主编栉田（堀正彦 饰）长期维持着不伦关系。某天，木岛接到一项任务，他须协助杂志编辑樫山慎一（真田幹也 饰）前去采访女性色情漫画家凤蝶（大葉ふゆ 饰）。凤蝶曾经名噪一时，5年前却因不明原因宣布封笔，而如今又决定重操旧业。木岛和慎一的首次采访并不顺利，凤蝶似乎紧闭心门，始终不愿透露关于封笔和复出的原因。采访失败令主编大为恼怒，慎一只得凭借想象去撰写报道，木岛则从当时所拍摄的照片中，急欲窥测凤蝶的内心世界。 之后的采访似乎渐渐步入正轨，而木岛和慎一的关系也越来越近 这部是日本的《痉挛电影》
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
指控之后
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邪完再邪
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生还2025
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