布拉格男妓
这是16岁少年马克用青春和死亡经历的布拉格。绿红色调相撞击的影像风格有点杜可风的意思，造出一种繁华、y-乱和黑暗。电影中卖y-的男孩们个个俊美，这么完美的身体被摧残，本就令人心痛。更残忍的是，这种血淋淋的堕落与摧残没有尽头，唯有死亡可以终结
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剧情简介
这是16岁少年马克用青春和死亡经历的布拉格。绿红色调相撞击的影像风格有点杜可风的意思，造出一种繁华、y-乱和黑暗。电影中卖y-的男孩们个个俊美，这么完美的身体被摧残，本就令人心痛。更残忍的是，这种血淋淋的堕落与摧残没有尽头，唯有死亡可以终结
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涩谷凪咲,早濑憩,山时聪真,荒木飞羽,今森茉耶,苍井旬,染谷将太,松尾谕,小原正子,槙田雄司风林火山
金城武,刘青云,梁家辉,古天乐,高圆圆,杜德伟,鲍起静,林俊贤,卢冠廷,姜珮瑶,卫诗雅,甘国亮,卢海鹏,刘永,吴嘉龙,李元霸,任贤齐,夏韶声,王德顺,程东,狼森,尼克·福特烛影危林
卡罗琳·麦柯米克,乔尔·托贝克,里桑·瓦伦丁两个心脏
金宣儿,马东锡,李清娥,郑仁基,朴孝朱,申正根哨兵
迈克尔·帕尔,杰森·R·摩尔,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King圣传
伊倉一寿,速水奖,山口胜平,榊原良子导演精选
血统杀人魔
Moira Cole家人被残忍地杀害后努力地想要重建破碎的生活，但一切并不会那么容易，因为杀害她家人的正是与她拥有同样血脉的表弟。
7号房的礼物
1997年，只有6岁儿童智商的智障男子李龙久（柳成龙 饰）和可爱的女儿艺胜（葛素媛 饰）相依为命，生活虽然简单清贫，却充满幸福。某天，执着为女儿买美少女战士书包的龙久意外卷入一起幼童诱拐奸杀案，而死者竟是警察局长的女儿。龙久懵懂无知，搞不清状况，昏头昏脑就被投入监狱。在7号牢房中，聚集着走私犯蘇杨浩（吴达洙 饰）、诈骗犯崔春浩（朴元尚 饰）、通奸犯姜万范（金正泰 饰）、恐吓犯老徐（金基灿 饰）和抢劫犯申奉植（郑万植 饰）等五毒俱全的“社会渣滓”。龙久孩子般纯洁的心渐渐感动了这几个“大坏蛋”，他们甚至不惜冒险将艺胜带入牢房与父亲相会。黑暗冰冷的监牢内，7号牢房阳光满满……
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.