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杨非与高俐
刘道玄,彭必瑶,潘国栋,刘占奎,陈纬,高果仪式2024
朱丽安娜·戈德史密斯,杰瑞坎皮西,Alex Whitehouse废世界
消失的证据
郑媛元,王帅,高迦澜神奇柑仔店真人版
天海祐希,大桥和也,伊原六花,上白石萌音,平泽宏宏路,伊礼姬奈,白山乃爱,番家天嵩,今濱夕輝乃,山本未来,渡边圭祐,田中里衣,大河原次郎初始者
什恩·卡鲁斯,大卫·苏利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat同类推荐
局外人2025
本杰明·瓦赞,皮埃尔·洛廷,斯万·阿劳德,德尼·拉旺,丽贝卡·马德,本杰明·希克戈尔,让-本笃·尤格斯,让-查理·克里切特1930年代的阿尔及利亚，冷漠的法国人默尔索对生命彻底漠然。他的情感疏离最终导致一场谋杀，随后的审判不仅审视罪行，更拷问其灵魂。改编自加缪小说《局外人》。
替补悍警
鲍勃·奥登科克,琳娜·海蒂,布伦丹·弗莱彻,亨利·温克勒,布莱恩·川上,莎莫·H·豪威尔,德里克·巴恩斯,杰西卡·麦克劳德,Dan De Jaeger,Reena Jolly,劳伦·科克伦,大卫·劳伦斯·布朗,卡森·纳特拉斯,彼得·新田,辻将太,辛妮·比斯顿,比利·麦克莱伦,瑞恩·艾伦,艾伦·默克,Takahiro Inoue故事发生在一个名为“诺莫”的偏远小镇，这里看似风平浪静，实则暗流涌动。主角尤利西斯在上一任警长离奇意外身亡后，被委任为临时警长。当镇上的银行被一对来自外地的夫妇抢劫时，尤利西斯赶到现场，却发现这座小镇平静的表象下隐藏着更为险恶的深层秘密——从酒保到神父，镇上的每个人都是秘密的参与者。而一直试图逃避过去心魔的尤利西斯，此刻必须揭开这场犯罪阴谋的全部真相。
小镇突袭
雷·利奥塔,多米尼克·珀塞尔,迈克尔·帕尔巴伦为首的四个刺客,伪造成特勤局特工去到艾伦家里,艾伦是一个因为战争失去了丈夫的女人.她家的位置很适合偷袭总统,那些人骗过了当地的警察,只有托德头脑依然清晰明了,他是个伊拉克的战争英雄,曾经和艾伦的丈夫一起服役,托德想办法杀了他们的一个手下,但被抓了.他们必须在总统被刺杀之前找到一个办法阻止刺客。。。。。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
画笔与旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro马蒂亚是一个画家，与一位有抱负的歌手同居，他靠艺术市场的变化来谋生。