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和佳蓉,毛凡,陈晓霞,孙盈艺,苏俊宇天使航班电影版
米仓凉子,松本穗香,城田優,矢本悠马,野吕佳代,向井理,遠藤憲一陨石
保罗·基尔舍,伊迪尔·阿祖格利,萨利夫·西塞,斯特凡·里多,弗朗索瓦·佩彻,艾尔莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦莱特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin玛丽和麦克斯
托妮·科莱特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗莱斯,艾瑞克·巴纳,贝塔尼·维特莫尔,蕾妮·盖耶,伊恩·莫利·梅尔德伦,朱莉·福塞斯,约翰·弗劳思,克里斯托弗·马西,卡罗琳·莎士比亚-艾伦,琳恩·史密斯,迈克尔·延纳逆转上半场
梁咏琪,陈湛文,凌文龙,梁雍婷,朱栢康,陈辉虹浮出水面的影子
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三人新世界
林子祥,郑裕玲,张曼玉,周慧敏,关秀媚,梁佩瑚,文隽,金燕玲,许绍雄是的2025
艾里尔·布隆兹,伊芙雷特·多,纳马·普雷斯,阿列克谢·谢列布里亚科夫,莎伦·亚历山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿萨夫·乔纳斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha燃烧的夜晚
布莱恩娜·伊维根,查理·塔汉,加瑞特·迪拉胡特洛杉矶劫案
克里斯·海姆斯沃斯,马克·鲁法洛,巴里·基奥恩,哈莉·贝瑞,莫妮卡·巴巴罗,科里·霍金斯,尼克·诺特,詹妮弗·杰森·李,泰特·多诺万,保罗·安德斯坦,戴文·博斯蒂克,德鲁·鲍威尔,帕特里克·穆尔维,马修·德尔·内格罗,安德拉·内切塔,法希姆·法兹利,佩曼·莫阿迪,丹·佩罗,乔希·斯通,哈娜可·福特曼三人世界
林子祥,郑裕玲,关之琳,周慧敏,刘嘉玲,罗美薇,卢冠廷,金燕玲,周文健丧尸特警
特里特·威廉斯,乔·皮斯科波,琳赛·福斯特,达伦·麦克加文,文森特·普莱斯,克莱尔·科克奈尔,陆锡麒,罗伯特·皮卡多,梅尔·斯图尔特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里维斯影视排行
杀手算命师
莎拉·墨菲,乔纳森·斯托达德,Caina Summer Field,娜塔莉·丹尼尔斯,杰西卡·凯撒在一位塔罗牌占卜师预言了一次偶遇后，肖恩开始相信命运，并为他的爱情生活和事业寻求进一步的建议。
海底两百里
沃尔特·皮金,琼·芳登,芭芭拉·伊登,彼得·洛,罗伯特·斯特灵美国海军上校尼尔逊（沃尔特皮金饰）领导潜艇海景号在北极下探测时，地球突生危机，大气层被一股大火燃烧，令地球极速升温，地球上干旱无雨，顿诚人间炼狱。科学家主张纷歧，尼尔逊决定由海景号发射核子飞弹，让其在大气层外爆炸以期熄灭大火，令地球降温。为求能够快速解决这个问题，尼尔逊毅然由船员自愿选择是留在船上还是继续前进，但是在全世界都没有办法的情况下，只有听命于尼尔逊的这个计划了……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣诞老人-N：红色觉醒
谢尔比·斯旺森,保罗·A·罗西,小比利·约瑟夫一个偏远小镇被一个披着传统外衣、阴暗扭曲的人物所困扰，他将欢乐化为恐惧。这部心理恐怖小说融合了民间传说、恐惧和生存元素，讲述了一个令人毛骨悚然的全新故事。