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剧情简介
又名: 俄罗斯民族桑拿特征，假如祢仍然不了解什么关于bannitsu - bannuyu辟邪，或从来没有见过的手绘Khokhloma侽子气概 - 祢只需要看到一个新的令人捧腹的喜剧大人;的俄罗斯浴的特点。 rdquo;经验丰富的Mitrich浴服务员的故事和笑话让祢笑，直到祢滴...一群人洗着桑拿，喝着啤酒，说着关于俄罗斯大奶妹们在桑拿房里发生的 黄色故事
人气佳作
再一英里
瑞安·菲利普,艾米丽·霍菲尔,莎拉·坎宁,Sage Linder,贝薇莉·埃利奥特,菲尔·伯克,加布里埃尔·哈辛托,C·托马斯·豪威尔,乔纳森·怀特赛尔,裘德·威尔逊,加菲尔德·威尔逊,Keana Velsen,西蒙·钱,威廉·威尔德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德鲁·科兰特斯,Tommy Europe,Karina Frislev笼困
Arié Elmaleh,Zoé Félix,Goran Kostic鬼滴语3
纳得克·库吉米亚,兰达娜瓦迪·望同,洁莉尔查·卡本,卡杰布泓迪缇特·珈迪,佩拉克里特·帕查拉布纳亚基特探魔导师2之王者联盟
洪冰瑶,李鹤楠,于洛熙,葛天,王炳乔,刘惠,陈招,阿肯,周剑飞,管贞喧,美伊,安龙,Milano,毛秀婷,毛秀玲,齐冰,马驰,王启蘅,金韬,赵寅辰,宋曌晗,侯雪艳,殷晓维,何然,祁建国,张天宇,肖磊,萌宝宝,侯耀华,腾奎兴,郭忆然,赵英龙,钟小丹,杜邱,马满,王虹,黄静,卢晓倩,李雪,王子彤,刘芯嘉,蔡姿利,张汐,陈志颖,陈婉仪,灵药,殷若曦,雪千琪,魏鹏,杨铮,慕岩,史蒂文·达兹,侯晶皓,牛中华,常峰辉,王朋朋,潘靖康,柏树森,潘臣,汪齐,葛亮,张雪峰导演精选
三十九级台阶
音乐厅中传来枪声，观众们一片惊慌。一位外国女子（露西•曼娜海姆饰）询问理查德•汉内（罗伯特•多纳特饰）是否可以在他家中过夜。次日该女子在被杀之前告诉理查德必须阻止间谍组织“三十九级台阶”将国家机密偷偷送出英国。汉内为了证明自己并不是杀人凶手无奈前往苏格兰高地寻找线索，在火车上他寻求一位叫做帕梅拉（玛德琳•卡罗尔饰）的金发年轻女子帮助，但她却马上向警察告发了他。他找到了“三十九级台阶”的领导人乔丹教授，但随即被陷害入狱。侥幸逃脱后又由于帕梅拉的告发被两位伪装成便衣警察的人带走，并且他们还把帕梅拉和他铐在了一起。于是两人携手逃脱了出来并取得了互相的信任，然后他们再次回到音乐厅，汉内看到了上次就见过的表演。他向号称可以回答任何问题的“记忆先生”（怀特•沃森饰）提问：“什么是三十九级台阶“，于是…… 希区柯克曾说“记忆先生“是他最喜欢的角色之一，这个角色建立在一个名叫达塔斯的真人基础上，他自己小时候在伦敦看过他的表演。
爱情抓马
婚礼前几天，一对情侣无意中发现彼此的秘密，亲密关系面临考验，令结婚计划骤然生变。暗黑秘密如何一发不可收拾？各种反应又引致怎样翻天覆地的后果？原定又浪漫又幸福的结婚计划，还可以进行吗？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.