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剧情简介
未央生换上巨灵根阳具，并练成霸皇御女奇功，便找京城第一y-娃复仇。y-娃于青楼设下七天七夜的天下无双欲仙欲死的极乐生死阵，但也被未央生一一破解，y-娃更对未央生佩服不矣，愿追随未央生为奴为婢，只求一夕之雨露。 未央生名动京城，慕名者众，赛昆仑发觉这是一条财路，利用未央生的性技四处招摇，谋取暴利，大发横财。京城中的巨富黄金发的九姨太和未央生搞上，更疯狂地恋上未央生。发爷乃穷凶极恶之人，得悉此事，誓杀未央生。
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster