日常关系

7.8 播放:04万 2026-04-27
主演:李秀 Soo Lee 

本片由三个小故事组成,讲述了三段惺惺相惜的恋情,第一段是女老师与坏学生,看黄片被老师发现的男学生,跟女老师独处之时,勾起了老师的欲望,开展了一段禁忌之恋,第二段故事是军营中的两个士兵,男士兵受尽异地恋的苦恼,女士兵受到长官的一些过分要求,这对心中各有忧愁的男女士兵,只能相互慰藉....第三段故事讲述一个男子与一位理发师的邂逅,让两人产生了某种妙不可言的情愫,女理发师成了男子的专用理发师,而这段感情也让他们的距离越来越近,关系越来越微妙....   

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同款热播

弹道无痕

赵岩松,陈大伟,王玉璋,刘大伟,魏琦

 根据徐贵祥同名小说改编。 铁匠的儿子石平阳带着父亲的嘱托参军来到炮兵部队。他的一股冲劲,受到营长庄必川的喜爱,老班长李四虎更喜欢石平阳不服输的劲头。李四虎是技术尖子,他对新战士训练十分严格,新战士进步很快。他把石平阳视作接班人,要在自己退伍之前把经验全部传授给石平阳,甚至以故意装病,让石平阳独立完成训练课目。石平阳进步很快,年终还荣立了三等功。和他一起入伍的女兵张媚对他也另眼看待。教导队招收骨干,进教导队就能报考军校,成为军官。营长担心比武缺了石平阳影响成绩,因此改派与石平阳一同入伍的王北风去了教导队。机会得而复失,石平阳有些想不通。父亲去世了,指导员让他回家料理,但他走到半路,想起父亲的嘱托,毅然返回连队。李四虎复员了,石平阳接任班长,他把老班长的好传统全部继承下来,爱兵、爱炮、爱部队,技术精益求精。同时入伍的王北风和张媚进了军校,石平阳仍然当班长。排长调走了,石平阳任代理排长,这时,他入伍已有八年。团里为了留住他,让他准备报考军校。就在这时,新战士刘发展一封虽事出有因但严重失实的告状信,使他又失去了上军校的机会。石平阳要复员了,副团长庄必川舍不得他离开,从车站把他接回,团党委特别决定把他留下。石平阳又回到排里,他对刘发展更严格、更耐心训练和要求,使刘发展深感内疚。几年后,参谋王北风到部队检查工作,见到石平阳仍是上士,不免生出许多感触。在集团军的军事演习中,石平阳指挥火炮群的准确射击,令首长和指挥员们赞叹不已。石平阳多年操纵的火炮由新式火炮取代了,他虽有些恋恋不舍,但他立即和战友们开始学习掌握新的火炮,迎接新的挑战。不久,石平阳被破格提拔为中尉连长。

短暂的恋情

瓦莱丽亚·戈利诺,皮拉尔·福格莉亚蒂,阿德里亚诺·吉安尼尼,塞莱涅·卡拉马扎,茱莉雅·蒙萨,Cristian Stelluti

故事讲述了Lea在酒吧遇到Rocco并成为他的情人的故事。他们的秘密恋情仅限于酒店房间,当李开始渗透到罗科的生活中,超越了他们的秘密遭遇时,他们的关系发生了险恶的转折。

未来之心

乔新峰,曹艳,张恩硕,张德晖,宫苏纹

余书(乔新峰饰演)与梁澜(曹燕饰演)夫妇研发了革命性AI“超心智脑”,旨在复原古生物生态。因儿子(张恩硕饰演)重病急需资金,二人分道扬镳:梁澜与投资人何叔(张德晖饰演)合作,将AI用于建造赛博机械乐园;余书则携子离开,坚信技术不应沦为娱乐工具。多年后为救子,余书登岛交出原始代码。不料程序遭窃,机械巨兽失控暴走。危机关头,何叔牺牲自我换取生机,余书夫妇最终联手重启初代代码,关闭系统,阻止灾难。离岛后,他们发现何叔留下的代码备份与医疗资源。儿子康复后,将这段经历写成小说《未来之心》,见证科技、人性与爱的交织。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

葬送

蔻碧·米纳菲,尼尔·桑迪兰兹,凯特·伯顿,皮特·普劳泽克,沃恩·阿姆斯特朗,切尔西·阿尔登,Alaina Pollack,Riley Rose Critchlow,洛拉·凯莉,Mia Ellis

  A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.

邀请函

娜塔莉·伊曼纽尔,托马斯·多赫蒂,斯蒂芬妮·科内柳森,阿拉娜·博登,西恩·帕特维,休·斯金纳,维拉格·巴拉尼,考特尼·泰勒,卡塔·萨博,伊丽莎白·康塞尔,斯科特·亚历山大·杨,杰瑞米·惠勒,卡罗尔·安·克劳馥,克里斯蒂娜·格蕾丝·萨尔科

  该片故事灵感来自于布莱姆·斯托克的经典小说《德古拉》,是一部当代恐怖惊悚片,讲述一个年轻女子因被追求而变得神魂颠倒,但她意识到,一个哥特式的阴谋正在发生。