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邻人X 奇怪的她
上野树里,林遣都,黄姵嘉,野村周平,川濑阳太,岛田久作,原日出子,笨蛋节奏,酒向芳上野樹里と林遣都の共演により、第14回小説現代長編新人賞を受賞したパリュスあや子の小説「隣人X」が映画化。「隣人X 疑惑の彼女」のタイトルで12月1日より東京・新宿ピカデリーほか全国で公開される。
愉快动物饼干电影版
松田元太,水上恒司,高石明里,藤森慎吾,苍井翔太,小泽亚李,水濑祈,东山奈央,立木文彦,间宫胡桃本片以1978年开始发售就一直受到喜爱的点心“愉快动物饼干”为基础制作，讲述了以狮子为首，大象、河马、猴子、小兔、小猫、长颈鹿、鳄鱼、小鸡，以及新角色天马行空又哭又笑的故事，描写了只有“可爱”这一优点的他们，为了拯救世界灭亡的危机而奋斗的模样。
真情未语
Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz一位年轻的传教士发现自己已故父亲保守多年的秘密，于是从菲律宾前往西班牙去寻找父亲的禁忌之爱。
不良街区
张本煜,黄垲翔,刘扬,町田悠宇,粘土大介由一桩荒诞的“卫生巾杀人魔”案件展开，讲述了几个在日本的中国人，阴差阳错地卷入一场黑帮斗争，与日本毒枭斗智斗勇的故事。他们一个是帮派面临倒闭妄图自裁的帮派老大、一个是吊儿郎当的黑导游、 一个是残暴歹毒的黑帮毒枭、一个是唯利是图的歌舞伎町老板、一个是胸怀大志却碌碌无为的警 探，每个人为了达到目的经历了一番复杂而有趣的遭遇。 主角刚正是一个在日本漂泊的“老炮儿”，亲手建立的帮派日益衰落，试图自裁却意外卷进命案，发现了惊人的秘密。对正义与规矩的坚守，使他选择与日本黑帮毒枭正面对决。
四十而惑
保罗·路德,莱斯利·曼恩,杰森·席格尔,克里斯·奥多德,梅根·福克斯,梅丽莎·麦卡西,莉娜·邓纳姆,艾伯特·布鲁克斯《一夜大肚》中的夫妻皮特（保罗·路德 Paul Rudd 饰）与黛比（莱斯利·曼恩 Leslie Mann 饰）如今年过四十，虽然黛比已经拥有一个不错的精品店，皮特也开了自己的唱片公司，然而生活的暗礁还是渐渐围困了这个家庭：不仅皮特开始需要借助“伟哥”，两人的父母也年岁渐衰，需要供养，皮特的唱片店近来也在艰难维系，两个还在上学的女儿更是每天把家里弄得鸡飞狗跳。夫妻二人深感走入了爱情坟墓的同时，连生活的激情与乐趣也将要被消磨殆尽。黛比在与朋友谈心之后，终于决定要挽救自己的婚姻，而此时，她已经怀上了皮特的第三个孩子…… 本片为导演在2007年的喜剧电影《一夜大肚》的一个独立续集。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster