节日聚会上的浴衣女人

林肯大战僵尸

　　19世纪，经历了影响深远的南北战争，美国终于迎来了新的时代。亚伯拉罕·林肯（比尔·奥伯斯特 Bill Oberst, JR 饰）接连取得与人类的胜利，却不得不面对新的敌人。他麾下一直部队在巡察途中遭遇活死人，三十人仅有一人幸存，但由于惊吓过度精神失常。北方政府怀疑这是南方的最新武器，于是计划派出一支12人的小分队深入敌后，救出被困的人员。勇猛无敌的林肯见识了活死人的威力，自告奋勇带部队向南方进发。在目标要塞，他们遭遇了数量庞大的活死人军团，这群怪物的残忍更远远超出他们的想象。　　死亡救援之旅漫长难熬，伟大的林肯总统能否带着他的子民逃出生天……

恶魔的艺术

 影片围绕着一个家庭遭到情妇利用"黑色巫术"复仇的故事展开.讲述了一个百万富翁全家人被神秘而诡异的地杀害。没有丝毫线索; 无法找到可以指证的凶手。神秘而恐怖的死亡令所有人为之困惑。一位罪案报道记者参与进此案的调查, 发现一个美貌的女人有可疑。他该如何向所有人证明她就是那个一直隐藏着的、并且擅长"魔鬼的艺术"的情妇? ...

AUNTY当网红

世界的主人

 珠仁17岁的时光，是热切投入青涩的恋爱，和好友打闹笑谈对性的好奇，替任职幼儿园校长的甩碌阿妈善后，闲时练跆拳道和做义工挥洒满身活力。某日，同学发起联署，反对出狱在即的强奸犯重回社区，只有珠仁一个不肯签名。她冲口而出的一句话，令她周遭的世界起了剧烈变化。那边厢，幼儿园小女孩身上的瘀青，不禁令人起疑.…..尹佳恩导演一向擅拍儿童，早获奉俊昊力赞为下一代大师级人马，此次探索少女内心幽微更见精准细腻，新人徐粹彬的演出展现惊人层次和魅力。看似平凡的青春日常，幻化成对创伤、韧性和连接的动人描绘，悄无声息地撼动心灵。

异羽之鸟

马诺哈拉·K在13岁时就凭借在影片《铁路少年》中的出色表演荣获印度国家电影奖最佳儿童演员奖。如今，二十出头的马诺哈拉初执导筒，将女作家索尼娅·S的获奖自传小说搬上银幕，讲述了一个白化病女孩的成长之路。片中，来自贫困家庭的索尼娅因为白化病在学校受到歧视和敌意，父亲置若罔闻、母亲有心但无力，她只能依靠自己。导演并没有向索尼娅投去同情目光，而是带着一定距离感去呈现她的处境，成功塑造了一个勇敢、乐天的女孩如何接纳自己并让白化病这个“缺点”成为特点。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.